Arabs watch "Red Rock" - "Respect"

Abe 2022-03-22 09:02:01

Again, how much I envy people who are born with faith, and find faith after thinking, or who do not think. But it's obviously a movie about women, so why can't I feel feminine except for the protagonist crying a lot? Why does wearing men's clothes represent unfulfilled responsibility? Why does a woman's clothing signify abandonment of God's mission? Will God send an messenger to lead one nation to war with another? What a ridiculous thing... The two sides represent their own interests, but they insist on putting themselves in a high moral position to convict the other side. The film vilifies the bishop on the British side to the extreme. Had Joan of Arc been in a different position, would she have slaughtered infidels? Will she interrogate the British? I feel that the essence is a French version of Jiang Jie or something. The music is full of marks, I just finished the movie slowly by listening to the music. The plot cannot be said to be very attractive. Joan of Arc's acting skills are really good, but I don't understand why I keep staring at me (probably a relic of a silent film), I'm shocked, I can't understand, and there should be more than just staring expressions. Lens editing is the culmination of silent films. The long shots, camera angles and camera changes are very artistic. It is the film I have seen with the most close-up shots of characters. I like the long takes, the long takes and the shaving and acrobatics. Oh, the movie also explains one thing, don't refute beliefs with people of faith, after all, believers will not deny their beliefs after "separation of soul and body". All I can say is, well, you're right, no thanks (Keanu waved)

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Extended Reading
  • Mandy 2022-04-24 07:01:14

    It is worth comparing with Bresson's version, which is also narrated based on the records of the Inquisition, but the difference in film concept and image construction method leads to a huge gap in emotional concentration, but in the end, it uses the power of film to show the power of faith. The levels are the same. Bresson restores objects to materials, transforms space into physical models, and substitutes actions into his own force analysis; while Dreyer treats all images as faces (not limited to the close-ups aimed at Joan of Arc), transforms all images into faces. The movement is described as impulsive, and even the subtitle cards that pop in and out are given extra-semantic emotions. The editing is full of passion and keeps moving forward. Who would have thought to experience the precious musicality in the movie again, in such a work that has no sound yet.

  • Roscoe 2021-12-20 08:01:15

    9.6; destroyed space. The "velocity" of silent film here abandons the requirement of silent film narrative aesthetics, and restores the perceptibility of time.

The Passion of Joan of Arc quotes

  • Jeanne d'Arc: I have never wronged anyone.

  • Old man: You have burned a saint!