The Passion of Joan of Arc behind the scenes gags

2021-12-20 08:01
  • The film was shot indoors except for an exterior shot on the fire, completely abandoning the war scenes   .
  • To shoot the film, director Dreyer spent 7 million francs to build a huge medieval castle setting. The outer walls are strong and thick to support the lighting equipment and staff. The inner walls are mounted on rails and can be moved flexibly. Although the castle only appears to blur the background in the film, but Dreyer believes that only in a real castle background, the actor's performance in order to show the true situation sense  . In order to show the same sense of reality, Dreyer requires that all actors must not make-up, this practice is extremely rare in the silent era 's  .
  • The subtitles in the film are all from the original record of the trial of Joan of Arc. Although it is a silent movie, Delaier required the actors to recite the dialogue in accordance with the script or trial record   .
  • Because the silent film does not need to record the lines of the actors on the spot, the actor who plays the bishop Ge Xiong in the film made lewd things during the filming in order to prank in an attempt to make Maria Falconetti laugh. This approach was solemn accused the director, and has been immersed in the role of法奥康涅蒂also very angry, as her thoughts and director: Though when viewing audience can not hear sound but can see coming  .
  • The original negative of the film was destroyed by fire, and the more complete version circulated in later generations was restored based on the negative found in a psychiatric hospital in Norway in 1981   . Because the film director refused to use musical accompaniment, the original soundtrack of the movie actually does not, then various versions of the soundtrack of the film is inspired by the creation of  .
  • In an interview in 1967, Dreyer stated that Fao Conneti’s performance in the film was the most satisfying of his career as a director. 法奥康涅蒂when the film premiered also expressed the idea to continue cooperation and Dreyer's, but since then,法奥康涅蒂never acted in movies, the film became the only shadow of her career as an actor starred in the film  .
  • Danish director Von Trier film full of respect for, has managed to get Dreyer film remake evening dress worn in Paris, and solemnly to wear when attending important occasions on  .
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Extended Reading
  • Annette 2022-03-26 09:01:07

    The camera that shows the perpetrator is always in motion, but Joan of Arc is given an unchanging gaze.

  • Camron 2021-12-20 08:01:15

    9/10. Due to the lack of a panoramic view of the environment, coupled with the sharp and skewed camera angle destroying the clear spatial reference, it radically subverts the relationship between human and space. The figures of priests and guards are swollen and often enter the screen in strange postures leaning to the left or right, like floating ghosts. When the judges whisper to each other, the camera slides over their linear and overlapping figures, bulging heads, arched doors and windows, torture instruments, and The head forms an interesting echo/juxtaposition. The subjective point of view of Joan (the camera scans the judges along her gaze and turns to the holy bread). When Joan made her first appearance, took to the cemetery and walked to the execution ground, she cowered in the lower corner of the composition and fell into spears, towers, and arcades. The flanking attack hints at the trial's response-the threat is overwhelming her beliefs. The decorations of the cross (Jan of Arc) and the penalty pole (the judge and the masses) continue to strengthen the relationship of opposition. One of the parties in the conflict, the priest representing the authority controlled the writing, and used forged letters of the king and confession to force Jean to surrender, but Jean was only in Point two pens on the confession (which happens to be a cross). At the end of the scene, the tall penalty pole lined the cross on the top of the church in the distance, and the soul of Joan of Arc turned into the French national spirit.

The Passion of Joan of Arc quotes

  • Évêque Pierre Cauchon (Bishop Pierre Cauchon): Why do you wear men's clothing? If we give you woman's clothing, would you wear it?

    Jeanne d'Arc: When the mission that God has entrusted to me is over, I will again dress as a woman.

  • Évêque Pierre Cauchon (Bishop Pierre Cauchon): How do you know a good angel from an evil angel?

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