Symphonic Listening Guide

Haley 2022-03-22 09:02:41

Destroyed at the beginning, in the middle of jealousy smashed the architect's model, and said: "God roared at me, so I'm deaf." Quite an X. At the end, the music makes me cry. Finally, it is a respect to the master to explain that the CD duration set for the complete recording and submission of 9 is required.
The most exciting part of the whole film is to make Beethoven look like a dirty and savage farmer. God treats everyone fairly. He has given him too much talent, so give him less temperament and self-discipline, yes, by the way. Take his hearing away too. A master is someone who knows what God has given him, and persistently uses this only advantage to realize his own value.
After watching this film, I feel that the distance between classical music has been shortened. It turns out that there is an ancestor of rock and roll in the camp of classical music. There are a few rockers who can be wild and perverse to the point of bey while still standing firm on God's side. Listening to Bei's music again at this time, I won't think that more than an hour is a long time, at least it can be regarded as a super-long version of rock and roll.
A little bit of reverie, when can I make a Bach movie and let Chow Yun-fat play it. It is possible to show what God looks like when he is not mad.

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Extended Reading
  • Burley 2022-04-22 07:01:48

    I firmly believe that Zhao Aguang is imitating Beethoven profoundly

  • Margaretta 2022-03-16 09:01:07

    It’s terrible, all 3 stars are given to the actors

Copying Beethoven quotes

  • Ludwig van Beethoven: I'm a very difficult person, Anna Holtz, but I take comfort in the fact that God made me that way.

  • Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an octave higher. Then the struggle. First violin, C, up an octave, and then up to G. And the cello, down. Pulled down. Half notes, F, E, D. Pulled constantly down. And then, a voice, a single frail voice emerges, soaring above the sound. The striving continues, moving below the surface. Crescendo. First violin longing, pleading to God. And then, God answers. The clouds open. Loving hands reach down. We're raised up into heaven. Cello remains earthbound, but the other voices soar suspended, for an instant in which you can live forever. Earth does not exist. Time is timeless. And the hands that lifted you caress your face, mold them to the face of God. And you are at one. You are at peace. You're finally free.