Politics and lust

Emma 2022-03-22 09:02:29

Where did you find so many modernist buildings, it brought out the oppression of space, especially in the first building and the madhouse. There was a scene where the camera was tilted on the road, and it was very tense. Not to mention the two scenes in the home space, one used blinds to explain the relationship between the protagonist, his fiancee and the maid. The camera moves smoothly and explains the dynamics between the characters. It's back to this scene near the end of the movie. All in all, the cinematography is pretty good. Not to mention the use of filters and so on.
Rewatching the movie, I feel that the passion between the protagonist and Anna is a little weak, and it's too long, too much, for Anna to run in the woods and get killed at the end. On the contrary, I think the first half is more interesting, there are personal reflections during the occupation period, and the complexity of human nature working under the fascist system. And precious also describes a very personal narrative under fascism. The scene where the protagonist goes to pray in particular can reflect his uniqueness, or inner struggle and contradiction, and at the same time satirize the emptiness of middle-class life. The role of the blind man is obviously the mirror image of the protagonist, which has been explained in the beginning of the recording studio scene.
Putting politics and lust together gives the film a lot of tension and can also provide another angle of writing history, but I think the ending is too totalizing from the story, especially with the reappearance of the person who abused him as a child, He broke down. The man's reappearance makes us doubt the authenticity of the protagonist's memory, but his collapse attributes too much of his life to his youthful experiences, which is too psychoanalyzing, and weakens other socio-political factors.

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Extended Reading
  • Lew 2022-03-21 09:02:47

    The narrative is loose and protracted, the characters are inexplicable, and each seems to be in a different movie. I don't like it very much. When the cave myth was told in a mysterious way, a condescending sage was preaching, and it was almost "hehe". I always feel that the whole film is full of the main theme of political propaganda. I don't know how the original novel is, but the adaptation of this work is really bad.

  • Anibal 2022-03-22 09:02:29

    The shooting is really good. The shooting here refers to the shooting of each shot in the movie. It is impeccable in terms of technique, look and content. Of course, this film is not only well shot, but also the plot, characters and politics are well handled. It uses different characters to represent different classes to discuss fascism and so on. ps: The plot of assassinating the professor's father in the film corresponds to Bertolucci's rebellion against his mentor Godard.

The Conformist quotes

  • Professor Quadri: Clerici, you had me convinced you were the typical new Italian.

    Marcello: No such type exists yet, but we're creating him.

    Anna: Through repression?

    Marcello: No, through example.

    Anna: Giving him castor oil? Throwing him into prison? By torturing them? Blackmailing?

    Professor Quadri: Anna, please, dear, calm down. Clerici is a fascist. I'm an anti-fascist. We both knew. And we decided to have supper together all the same.

  • [after overthrow of Mussolini]

    Giulia: What are you going to do now?

    Marcello: The same as everyone else who thought like me. When there are so many of us, there's no risk.