Politics and lust

Emma 2022-03-22 09:02:29

Where did you find so many modernist buildings, it brought out the oppression of space, especially in the first building and the madhouse. There was a scene where the camera was tilted on the road, and it was very tense. Not to mention the two scenes in the home space, one used blinds to explain the relationship between the protagonist, his fiancee and the maid. The camera moves smoothly and explains the dynamics between the characters. It's back to this scene near the end of the movie. All in all, the cinematography is pretty good. Not to mention the use of filters and so on.
Rewatching the movie, I feel that the passion between the protagonist and Anna is a little weak, and it's too long, too much, for Anna to run in the woods and get killed at the end. On the contrary, I think the first half is more interesting, there are personal reflections during the occupation period, and the complexity of human nature working under the fascist system. And precious also describes a very personal narrative under fascism. The scene where the protagonist goes to pray in particular can reflect his uniqueness, or inner struggle and contradiction, and at the same time satirize the emptiness of middle-class life. The role of the blind man is obviously the mirror image of the protagonist, which has been explained in the beginning of the recording studio scene.
Putting politics and lust together gives the film a lot of tension and can also provide another angle of writing history, but I think the ending is too totalizing from the story, especially with the reappearance of the person who abused him as a child, He broke down. The man's reappearance makes us doubt the authenticity of the protagonist's memory, but his collapse attributes too much of his life to his youthful experiences, which is too psychoanalyzing, and weakens other socio-political factors.

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Extended Reading
  • Adeline 2022-03-26 09:01:10

    Serious, unreal, chaotic, flow and non-flow, fire on the face, thought police. Nice girl. It's a tough movie to get into, let's focus.

  • Winston 2022-03-23 09:02:49

    2020SIFF, tickets from the sky. Marcello, a fellow in the cave, a person who has disappeared from the shadow, the anti-fascist goddess Anna and Manganiello of the same organization spurned him as a coward, and his appeal was only to be a mediocre person, so he chose to marry Giulia. He took the chaotic mother to visit his father in the mental hospital, the autumn wind swept the thick leaves on the ground; the fascist memorial became the mental hospital where his father was; he was bewildered by the dancing crowd in France. Unable to move; squeezed by the marching crowd celebrating the fall of Mussolini and finally watching them go away; he fantasizes about shooting the driver who assaulted him, and when he finally meets the man, he yells and blames all the crimes He also shouted to expose the blind friend's fascist identity, just like abandoning himself. Photography, light and shadow, color... how can it be so beautiful? It's not a movie you can watch all at once. No wonder Bertolucci told Lou Ye that the most important thing on the set is to sleep, because the lighting time was too long, which is true and worthwhile. Bertolucci also really likes threesomes

The Conformist quotes

  • Professor Quadri: Clerici, you had me convinced you were the typical new Italian.

    Marcello: No such type exists yet, but we're creating him.

    Anna: Through repression?

    Marcello: No, through example.

    Anna: Giving him castor oil? Throwing him into prison? By torturing them? Blackmailing?

    Professor Quadri: Anna, please, dear, calm down. Clerici is a fascist. I'm an anti-fascist. We both knew. And we decided to have supper together all the same.

  • [after overthrow of Mussolini]

    Giulia: What are you going to do now?

    Marcello: The same as everyone else who thought like me. When there are so many of us, there's no risk.