In Italy in the 1930s, the father of Marcelo Clélisi, the son of a dilapidated nobleman, lived in a lunatic asylum for a long time. He is thirty-four years old and has no wife yet. Born in troubled times, not knowing where to go, he finally followed the crowd and joined fascism. Marcelo Clélisi married Julia, the right girl. After marriage, he took his newlyweds to Paris for their honeymoon. In Paris, he fought fiercely with Anna, the young wife of Professor Cardelli, who was in exile in France. Professor Cardelli was originally Marcello's former teacher, an anti-fascist patriot. Marcello used his relationship with Anna to lure Anna and Professor Cardelli into being fooled, and was killed by Marcello Clélisi and his fascist accomplices in the outskirts of Paris. After World War II, Mussolini fell and the people won. Marcelo Cléricillo turned himself into an anti-fascist, and he screamed in the street to expose his associates involved in the assassination of Professor Cardelli
.
The Conformist movie plot
2022-01-11 08:02
Extended Reading
-
Royce 2022-03-24 09:03:02
From head to toe, it shows the exquisite appearance of a "classic drama film". The structure of interludes and flashbacks mobilizes the viewer's nerves, structuring suspense and reversal. Special Marcelo is very weird and special, adding a lot of detached feeling to this character, and has been trying to be normal. The ultimate erotic, even espionage battles do not forget to fall in love, war, politics, jokes, romance, destiny, too many content from history to personal to give their respective colors into this big dye vat, so that I quickly accept the complexity Just the way it should be. But Bertolucci's every shot always has too much stuff in it, the geography of the city also has tones and moods, and the slightly faster rhythm in the picture reveals a strange irritability, and the film technique takes too much work , hindering my further fondness.
-
Skylar 2022-03-25 09:01:15
The editing and colors are super-beautiful, and the flamboyant lust of the drama, in the mainstream of the times, complements the gray political background, and the winding paths under the small incisions lead to seclusion. The hero is lonely, the beauty is withered. Compared with the previous one, the "love" part is heavier.
-
Giulia: [somewhat inebriated] Shopping is only for women. Husbands pay!
-
Giulia: What was Marcello like as a student?
Professor Quadri: Serious. Too serious!
Giulia: But you can't be too serious.
Professor Quadri: Really serious people are never serious.