The heroine is not particularly beautiful, but has a charming smile.
Although basically the plot is going in the way that the audience likes, it is not too much. Still very kind.
She didn't give up on life, even though it was a mess to begin with.
She placed her ideals in reality, and she did not get the expected affirmation, but unexpectedly won Daisy's touch. In fact, she is also right, because her true colors are so precious.
The image of the hero at the beginning and his eloquent talk about the car driver are quite good. It is always the best viewing position, and I am fascinated by it. He doesn't see his work as work, but as a poetic interpretation, which is rare, but really hard to do. Unless in the beginning, this is the only choice in your heart.
As for our lovely old man, it seems that every warm film must have such a wise man to guide the lost lambs. I like the part about the prophet very much, not only for his wisdom, but also for those strange tourists and their bizarre problems.
At first, like the heroine, I didn’t like those tourists very much, but the more I saw it, the more I liked it. I liked the old lady who likes to steal things, the little girl who always wears headphones, and the fat man who is always so high. Even the boring guy who everyone can say is asleep...
they are so ordinary, but so cute.
Maybe their cuteness is because of their ordinary.
When I was young, I always felt that I was omnipotent and ambitious.
When I grew up, I began to want an ordinary but happy life.
It doesn't mean that I don't want fame and fortune, it's just that at the expense of my happiness, I may give up some appropriately, because I start to feel like health, time with my family, traveling with loved ones, walking hand in hand, etc. Things are the big things in life.
I don't need other people's approval for my life, I imagine that old man wakes up every morning smiling, that's what I want.
The so-called survival is only because we are attached to our own hearts.
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