than short films. It seems that he wants to seek resonance, but unfortunately, the lack of people's hearts is superfluous. The length of the short film can be refined to germinate the horse-grabbing effect. It is indeed a bit monotonous to change to a big movie. You can elaborate on the substitution and irreplaceability of the three-way line, expand the Gi line, and at the same time make the Gabriel and Leonardo lines a little richer and sweeter. ? Teasing and rebellion are both conceivable and unavoidable, but if there is no beginning or end, it is abrupt. Well, I still like that kiss from someone I don't know in the short film?. Now directors prefer to go LGBT. Pure throbbing and ambiguity, this is definitely the beginning of treating the face dog... The two of them are definitely from poetry and poetry to life philosophy... no face. Well, steal a kiss and get it back. Since when, it was the wind whizzing past the ear of the bicycle at night, the pebble of the eclipse, and the fact that I didn't want to be Bach or... No one can explain.
You are the moon?, he is the earth, and I am the handsome sun? Just like the eclipse, it is not just disappearing but covering, you are still irreplaceable, this is pure friendship. Hmm, about the moment you hug your jacket? PS Who said ten Gabriel nine bases...
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