This tone is in line with the faces of the two protagonists, both pale and haggard. They are exiles of life, tossing around in the darkest and lowest places, with no hope and no future.
Personally, I feel that the relationship between Angel and Nina is that family love surpasses love, so this is not a purely gay movie. The two robbers are lonely and empty, with only each other and each other. And the physical relationship doesn't really matter. There are very few depictions of the intimate contact between the two in the film, but only so far. On the contrary, it uses a lot of space to show the sex between Nina and the prostitute. The sex in this paragraph is vulgar and dirty, revealing the director's distrust of the relationship between men and women and his dislike of sex.
This is a very dangerous movie. From the core content, the film shows yearning for anarchism (the act of burning paper money), distrust of women, and moral nihilism. The movie promotes a kind of male heroism. When the last three gangsters were besieged, the game imitated the movements of the Mohicans. Obviously, in the director's mind, they were like heroes at the end.
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