The black and white tones in "oh boy" make the film involuntarily show a real sense of vicissitudes. The magic weapon of jazz is shown at the beginning of the film. It does not play literature and art, and does not pretend to be deep. The shifting of the camera lens has been performed until the end. The seemingly twists and turns are actually the most common and real, and there are very few artistic modifications. What the film shows is not just the so-called ideological trend with strong personal characteristics, but more of a boy's perspective to reflect the current spiritual outlook and living conditions of the Germans. The wind and rain, the ups and downs, the ups and downs, do not belong to boys, but to those ordinary Berliners. The most ingenious part of the film is that under the bleak reality, a little bit of light is set up. The boy is not the protagonist. The real protagonist is all the Berliners who met on this day except him. The audience is the meaning of walking
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"Oh boy" uses comedy techniques to show the audience the living conditions of contemporary Berlin young people through some trivial life stories of young male Nick Fisher, which reflects a kind of understanding and tolerance of human nature. Nick can be described as a typical diaosi young man in a German city. Although the protagonist is so boring, he can make the audience feel sympathetic to Nick who is doing nothing on the screen, and it especially resonates strongly with young people in the same situation. The cool black and white images, the lazy and sad jazz soundtrack, the unmotivated protagonist and the innocuous jokes make the film have a certain Woody Allen movie atmosphere. The black and white film shooting is undoubtedly a highlight, giving people a strong Nostalgic feeling
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