Bright Young Things negative evaluation

2022-01-27 08:23
Frey is a gentle actor and a talented genius, with extraordinary talents and a thriving literary career, but under his direction, this British film has become bland and frustrating.  
The problem with the film is not the adaptation of the plot, nor the deleted comedy scenes. Except for the wonderful guest appearances of old actors Jim Browderbent and Peter O'Toole, many of the performances in the film are too complicated and annoying, although Moore’s role is a bit sympathetic, while Modimo’s voice is Strangely harsh.
Despite the star-studded film, it still failed to meet the audience's expectations. The problem with the film seems to lie in Frey's lack of focus, lack of guidance, and conceptual gimmicks. The film ended in World War II without mentioning the Great Depression, so the cultural background of this film is wrong. From a historical point of view, this film is really a mess.
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Extended Reading
  • Anais 2022-04-22 07:01:53

    It's pretty good to get four stars, hehe (¬..¬) Defence Against the Dark Arts Professor Club!

  • Trevion 2022-04-24 07:01:24

    "You have to be glad that you have nothing to do with this society, its charm is an illusion, its prosperity is a trap, its music is screaming out of fear, they spin faster and faster, and each time they turn, let themselves Disgusting. The more I see them spinning, the more disgusting and ashamed I get."

Bright Young Things quotes

  • Simon Balcairn: [Telling his fake news story] Never, never, never have such scenes been witnessed in high society, that uneasy alliance between Bright Young Things and old survivors. Perhaps this was the defining moment of our epoch of speed and syncopation. This so-called 20th century of angst, neurosis and panic. Reader be glad that you have nothing to do with this world. Its glamour is a delusion, its speed a snare, its music a scream of fear. Faster and faster they swirl, sickening themselves with every turn. The faster the ride, the greater the nausea, the terror, and the shame.

    [pause]

    Simon Balcairn: Stop. Yes, that's it. Good night.

  • Adam Fenwick-Symes: Oh Nina, what a lot of parties... Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Circus parties, parties where you have to dress as somebody else, almost naked parties in St. John's Wood, parties in flats and studios and houses and ships and hotels and nightclubs, in swimming baths and windmills. Dances in London so dull. Comic dances in Scotland and disgusting dances in the suburbs. All that succession and repetition of massed humanity. All those vile bodies. And now a party in a mental hospital...

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