Coriolanus evaluation action

2022-01-14 08:01
The costumes, art, and scenes that are full of warfare in the 21st century are all excellent, and there are few ambient scenes in this film. Most of the photography is aimed at the performance of the actors. This is probably due to the origin of Fiennes actor. A large portion of the original William Shakespeare dialogue in the mouths of old dramatists such as Fiennes, Vanessa Radcliffe, and Bran Cox is a pleasure.
The film’s plot progress, story turn and character motivation are excellent, supported by delicate character psychological changes. The only shortcoming is that a lot of violence and action elements in William Shakespeare's original work are gone, and all that is left is the blood on the face of the actor and the scars on his body. Although the themes of film accusations of violence and conspiracy are not new, the humanities and cultural accumulation behind them are definitely not comparable to ordinary Hollywood movies. For the debut of the director, the film cost a mere 10 million US dollars, has no shortage of independent universal spirit, it is commendable
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Extended Reading
  • Rachelle 2022-03-25 09:01:18

    Shakespeare looks good, and there are ideas for adaptation

  • Alexandrine 2022-03-25 09:01:18

    The stage play is adapted, so the lines and some of the sets are very stage-based. Ashamed of the lack of depiction of the war, which has a certain impact on the development of the story. The structure also follows the dramatic setting, but it is very innovative, but using the language of the film to tell the story of the stage is a bit vague, and it will be better to do more on the connection of the story. Vanessa and Fiennes played really well, and Fiennes' performance was generally good this time around.

Coriolanus quotes

  • Tullus Aufidius: Our virtues lie in the interpretation of the time. One fire drives out one fire. One nail, one nail. Rights by rights falter, strengths by strengths do fail. When, Caius, Rome is thine, thou art poorest of all. Then shortly art thou mine.

  • Volumnia: [kneeling] Think for thyself how more unfortunate than all living women are we come hither, since that thy sight, which should make our eyes flow with joy, hearts dance with comforts, constrains them weep and shake with fear and sorrow. Making the mother, wife, and child to see the son, the husband, and the father, tearing his country's bowels out. And we must find an evident calamity, though we had our wish, which side should win. For either thou must, as a foreign recreant, be led with manacles through our streets, or else triumphantly tread on thy country's ruin and bear the palm for having bravely shed thy wife and children's blood.

    Volumnia: [getting to her feet] For myself, son, I purpose not to wait on fortune till these wars determine. If I cannot persuade thee rather to show a noble grace to both parts than seek the end to one, thou shalt no sooner march to assault thy country than to tread on thy mother's womb... that brought thee to this world.

    Virgilia: Aye, and mine, that brought you forth this boy to keep your name living to time.

    Young Martius: You shall not tread on me. I'll run away till I'm bigger. But then I'll fight!

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