Although "The Great Fox Papa" is a cartoon adapted from a children's book, it still takes the family as the theme. Director Wes Anderson surprisingly continued his own style in this stop-motion cartoon: section set, The horizontal shifting camera, the cold dialogue style, the brisk soundtrack, as well as the dazzling tones and quirky narratives, combined this is an "Anderson accent" that is unique and has no branch.
The film reveals an independent and bohemian taste, and contains many ingenious, novel and animated designs: for example, when father fox and possum are crawling on the grid, the screen uses characters and skeletons to flash alternately; father fox and his wife are in Talking in the underground mine, surrounded by shiny ores; during the decisive battle, the animals lit pine cones as bombs, and the whole town was messed up by the pine cone bombs. Film photography mostly uses formal lenses such as the front and side to shoot the subject, and the overhead shot is used to increase the sense of interest of the lens. Sports lenses are mostly frontal horizontal and vertical shifts.
