Goodfellas movie prototype
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Constance 2022-04-24 07:01:01
Rock and gangster, old Martin I hate you! The depiction of the gradual transition from romanticism to reality fits the audience's perception changes in the process of understanding gangster life. Seeing the big from the small, there is no epic spirit of the godfather, but there is a sense of immersion. The final outcome actually jumped out of fatalism, which is rare in gangster films. De Niro grabs the scene too much.
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Mona 2022-03-23 09:01:02
Four and a half star (spoiler) text: Deconstructing "The Godfather" and redefining the American gangster movie in the post-"Godfather" era. "The Godfather" portrays gangsters by portraying heroes, revolutionizing the tradition that Hollywood gangs can only be villains at the time. At the same time, it also uses epic third-person filming, and gives the characters a sense of fatalism in ancient Greek tragedy. . In this film, Martin starts from the protagonist's first perspective and uses the attitude of describing "normal life" to express the gang life. The best part of the film lies in its multiple arcs. The protagonist goes from being sentimental and righteous to give up life and forgetting to die to the final mutual betrayal and covetousness and fear of death. This is not only the arc of the protagonist, but also the entire Mafia and its representatives. The transformation of society. In fact, Martin also used "degenerate" instead of "fate" to express his views on this, and then deconstructed "The Godfather" from the outside to the inside. From the most anti-system deviant behavior to the most modelized life, modern society has not only tame the protagonist, but also tame the "crime" itself. The role monologue and the event form a two-layer echoing text, creating a separation effect. All kinds of self-blaming, interesting.
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Henry Hill: [narrating] It was revenge for Billy Batts, and a lot of other things. And there was nothing that we could do about it. Batts was a made man, and Tommy wasn't. And we had to sit still and take it. It was among the Italians. It was real greaseball shit. They even shot Tommy in the face so his mother couldn't give him an open coffin at the funeral.
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Billy Batts: Hey Jimmy! What's right is right. You understand what I'm talking about?
Jimmy Conway: It's all right. It's all right.
Billy Batts: No. The kid's over here. We're hugging and kissing over here. And two minutes later, he's acting like a fucking jerk.
Jimmy Conway: No, no, no, no, no. You insulted him a little bit. You got a little bit out of order yourself.
Billy Batts: No I didn't insult him. I didn't insult him.
Jimmy Conway: I'm sorry. You insulted him a little bit.
Billy Batts: No, I didn't insult nobody. Give us a drink. Give us a drink.