Matthias & Maxime evaluation action

2022-01-23 08:07
If the film director can give the audience a reason to really care about these characters and their complex emotions, then the film content will not be particularly boring. However, the nominal bond between the protagonists has never been established vividly enough to allow the audience to fully experience the aftershock of the catalytic embrace. This may be the work that the director has not put in a lot of effort.
"Matthias & Maxime" deals with friendship and self-discovery in a familiar way for director fans. It can be said that this is a more mature work. This is a reflection accompanied by cheerful, transboundary energy, a feeling of looking back fondly at the shocking but groundbreaking moments of identity confirmation.
"Matthias & Maxime" is not a bad work in any sense, it is full of longing, low-key love and friendship studies. Compared with the director's previous films, this film makes the audience feel younger, more mature, sweeter, and more experienced.  
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Extended Reading
  • Duane 2022-04-24 07:01:24

    The story has improved a little bit, and the production has gone wrong again. Not only does the audio-visual style change at will, making people feel like watching several different movies, but also the incredible operation of incomplete editing of secondary characters. The story I mentioned earlier is a little bit better, but it's only a little better than pure pornographic films like "Just the End of the World" and "Donovan's Life and Death" (after all, there are so many ambiguous films to refer to) Lan still doesn't have many levels in the handling of characters (the only thing he may write is a mother who can tear up), he doesn't look at the characters from the story, and can only mobilize the performance and dialogue narration.

  • Lillian 2022-04-22 07:01:53

    9/10 That's the Xavier I know! I have poked my tears many times, facing the escape of the most special person, facing the helplessness of relatives, facing the panic of revealing that my English is poor before leaving, and obviously there is nothing Where the plot develops is the inexplicable desire to cry. Wanting to lean over slightly and give Max a big hug, his right cheek brushed against his birthmark. The film is reassuring that even if I'm alone, Dolan understands me. Dolan still understands me. The scenes in front of the mirror are all too wonderful, and his acting is also very good. The piano score is amazingly beautiful. There are some details in the script (such as my brother's voicemail prompt/mother's dinner purpose) and M found that the part of M's paintings when he was a child was a bit too neat, I don't know if I thought it was deliberate or just because I knew him too well to get it to all. The handling at the end is a little weak, but that doesn't stop it from being my selfish best of the year. Also, I would like to warn you that yelling is the folk custom of Canadians in the French-speaking area.

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