One Cut of the Dead evaluation action

2022-04-06 08:01
The film is brimming with love for cinematic excess. As a Nissan low-cost independent monster movie, it should be wildly sought after   .
In the third part of the film, all the foreshadowings have come to fruition, and the film is worthy of the praise of many audiences as "a great surprise". The troubles in the first two parts are unraveled one by one. A large number of bugs, "thunderpoints" and seemingly unrelated plots are all subtly linked together, and the burden is released quickly and finely, resulting in a strong "laughing fruit". And emotional climax, and the rigor of the play can also justify itself, becoming a paragraph that makes the film highly sublime and can be cried for   .
In a catastrophic shooting, the film shows the extremely contradictory charm of artistic creation. It describes the struggles of ordinary people in life, as well as those unforgettable moments of unity and warmth, and finally fortunately created a box office miracle in the cold winter of the film market. However, even without these box office miracles, all audiences can still see ideals, persistence and never giving up in the film. This inherited spirit of Japanese film creation, and even the tenacity of the nation, may be more important than box office success   .
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Extended Reading
  • Adaline 2022-04-06 09:01:07

    After watching the first half hour, I really doubted how such a good word of mouth came about. It turned out that the "tidbits" after the "feature film" were the focus. The management with low artistic requirements, under the mobilization of the stretched manpower, gave full play to the ability of various improvisations and on-the-spot response, and everyone worked together to complete the shooting. The process of "revealing the secret" was hilarious and difficult. I had doubts about the third-party camera positions that appeared in the "feature film", and now I suddenly realized it. The innovation of the form, the richness of the content, and the full use of the functions of the TV station media are all refreshing.

  • Kristin 2022-04-11 09:01:07

    Pleasant but disliked. If "Shadow" and "Zhang Yimou and His Shadow" are tied to one ticket and sold in a hall, the experience brought to the audience will not be much different from this film. Isn't the sensationalism law of "We work hard so we endure it", in a certain sense, isn't it also inciting the audience to transfer the interpretation power they should have to the crew that may not have a reason or even a real misery? I feel sorry for Shi Yun's "Insects in the World". In the same way, he did everything possible to avoid such sensationalism, but he did not expect the audience to be so voluntarily deceived by its tricks...

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