Pain and Glory evaluation action
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Domenic 2021-12-28 08:02:09
It was just in time for the screening in Barcelona. There were not many people in the hall, and most of them looked drowsy. Almodovar’s impression is that he is really old (and in fact), so the story is flat and flat, inevitably preaching. The two lines of childhood and old age alternate smoothly, making no secret of the autobiographical nature of the film. The selection is actually a reconciliation that spans decades: with mother, with actor, with assistant, and lover...not very sensational, just gentle The state of the old man talking about storytelling.
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Elza 2021-12-28 08:02:09
It's no longer an anecdote and hearsay, but like a real face, even if you have the richest life experience, the most candid heart-to-heart, it is difficult to burst out hot sparks because of the confluence of eyes that are too real. So fragility is calm fragility, depravity is the depravity of disguise, desire is the desire of gentleness, and pain is perfect pain. In a real face-to-face basis, the person on the opposite side is just a mirror, and only oneself can be seen.
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Alberto Crespo: Will you come to see me?
Salvador Mallo: I don't know. I don't think so.
Alberto Crespo: This time I'm not doing Shakespeare, or Chekhov, or Lorca. I'm doing you.
Salvador Mallo: If you do it badly, I'll feel terrible. And if you do it well, I'll feel much worse.
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Alberto Crespo: [performing on stage, Salavdor's "Addiction"] I thought the strength of my love would defeat his addiction. But it wasn't so. Love isn't enough. Maybe love can move mountains, but it isn't enough to save the person you love.