Young corporate partner James Shannonin love with the beautiful Mary Jones, but he's too shy to say anything. On his 27th birthday, his and his partner's firm is in danger of going bankrupt and will have to close unless funds can be raised quickly. At the same time, James learned that his grandfather left him a huge inheritance of seven million US dollars, but the condition of getting this large sum of money is that he must get married before seven o'clock in the evening on his 27th birthday. However, James' difficulty with expression cost him almost the loss of Mary. For the sake of a partner, he had to find a woman who was willing to marry him as soon as possible, so he began a difficult search process. In order to help him get married as soon as possible, the partner reported his story under the headline "Seven Million Dollar Groom's Marriage". For a time, women of all classes and ages in the city began to compete for James. At this point, James learns that he can marry the love of his life, and he must try his best to escape the pursuit of those crazy women and arrive at Mary's house to marry her before seven o'clock
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Seven Chances movie plot
2022-04-07 08:01
Extended Reading
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Lolita 2022-04-19 09:03:16
A "pause-and-shoot" has Keaton playing season changes, jumping trees to hide from cars, and jumping over walls. I always feel that Keaton's comedies are more melancholy than Chaplin's. But once the running mode is activated, all kinds of off-roading through forests, hob and falling rocks will come one after another. To be honest, most of the time, I think of the difficulty of shooting at that time, so I feel distressed, and admiration also arises at the historic moment. The effect of cola is reversed. It's secondary. The Rolling Stones in the Valley, the chasing of these two paragraphs by ten thousand women is simply a stroke of genius, let's run, brother.
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Cleora 2022-04-20 09:02:55
Not necessarily accurate, but also for Chaplin and Keaton. The same point is that their personal performance style is unique, and the use of camera positions, action design, and post-editing in the film are very flexible and ingenious. The difference is that Chaplin's "individual" is more forceful to describe the "individual in the era", while in the sadness of the era, he still maintains a positive humor. As for Keaton, he focuses more on the "individual" in the "individual world" and what the times are like. This description is a little farther away. On the other hand, in the movie, Keaton always has a depressed face, Chaplin's expression changes more, or let's just put it this way, Chaplin's works are more tragic, but also more optimistic. . Just saying that doesn't mean Keaton is pessimistic, he's just prone to gloomy face, the evidence for that comes from the end of his movie, in many of Keaton's works, we seem to be able to find it, in fact, he has arranged for himself a long time ago A happy ending.
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Jimmie Shannon: Would you marry me?
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Title Card: By the time Jimmie had reached the church, he had proposed to everything in skirts, including a Scotchman.