The Godfather scene shot

2021-10-13 18:31
"The Godfather" has many very classic lens applications. For example, the old Godfather turned his back to the camera in the opening scene, listening to the funeral home owner's speech, the light was very dark, after the whisper, he was hitting suddenly, and then slowly opened the camera to show the scene of the whole house. , The godfather's majestic side was very successful. At the end of the film, the use of the depth-of-field lens is also a classic. Kay stood in the close-up, watching from a distance Michael accepting the kiss of surrender from his subordinates, and then the door slowly closed, which was full of symbolism. The lighting of the film is extremely revolutionary. Before, almost no one dared to try such a dim light. The funeral parlor was the strongest scene of this black and white contrast. The godfather walked out of the dark shadows, and the facial features were well-defined and shadowy. The handling is very sophisticated, and it highlights the sadness of this bridge  .
<< Foxtrot evaluation action The Godfather narrative festival >>
Extended Reading
  • Domenick 2022-03-23 09:01:02

    Marlon Brando was born for drama. This is my most intuitive feeling after watching the film. The Godfather has only watched this one so far. A great character must be sentimental, righteous and responsible. Maybe at this age level I still don’t realize it. The deeper thing is simply that such talents are attractive

  • Laurence 2022-04-23 07:01:01

    Very classic gangster movie, the characters are also very vivid, reflecting the dark side

The Godfather quotes

  • Don Corleone: [crying, staring at Sonny's body] Look how they massacred my boy!

  • Sonny: Tom-anuch! Hey, a hundred button men on the street twenty-four hours a day. That Turk shows one hair on his ass, he's dead. Believe me.

    Sonny: [to Michael, whose face is bruised] Hey Michael, c'mere. Let me look at you. You look beautiful, just beautiful, you're gorgeous. Hey, listen to this. The Turk, he wants to talk. You imagine the nerve on this son of a bitch, hey? Craps out last night he wants a meetin' today.

    Tom Hagen: What did he say?

    Sonny: What did he say? Badda-beep, badda-bap, badda-boop, badda-beep, he wants us to send Michael to hear the proposition, and the promise is the deal is so good we can't refuse. Hey.

    Tom Hagen: What about Bruno Tattaglia?

    Sonny: That's part of the deal. Bruno cancels out what they did to my father.

    Tom Hagen: Sonny, we ought to hear what they have to say.

    Sonny: No, no, no! No more! Not this time, Consigliere! No more meetin's! No more discussions! No more Sollozzo tricks! You give 'em one message - I want Sollozzo. If not, it's all-out war, we go to the mattresses.

    Tom Hagen: Some of the other families won't sit still for all-out war!

    Sonny: Then they hand me Sollozzo!

    Tom Hagen: Your father would want to hear this. This is business, not personal.

    Sonny: They shot my father? It's business, your ass.

    Tom Hagen: Even the shooting of your father was business, not personal, Sonny!

    Sonny: Well then, business will have to suffer, all right? And listen, do me a favor, Tom. No more advice on how to patch things up, just help me win, please. All right?

    Tom Hagen: I found out about this Captain McClusky who broke Mike's jaw.

    Sonny: What about him?

    Tom Hagen: Now, he's definitely on Sollozzo's payroll and for big money. McClusky has agreed to be the Turk's bodyguard. What you have to understand, Sonny, is that while Sollozzo's being guarded like this he is invulnerable. Now, nobody has ever gunned down a New York police captain. Never. It would be disastrous. All the five families would come after you, Sonny. The Corleone Family would be outcast. Even the old man's political protection would run for cover. So, do me a favor, take this into consideration.

    Sonny: All right, we wait.

    Michael: It can't wait.

    Sonny: Huh?

    Michael: It can't wait. I don't care what Sollozzo says about a deal, he's gonna kill Pop. That's it. That's a key for him. Gotta get Sollozzo.

    Clemenza: Mikey's right.

    Sonny: Let me ask you something, Professor. I mean, what about this McClusky, huh? What do we do with this cop here?

    Michael: They want to have a meeting with me, right? It will be me, McClusky and Sollozzo. Let's set the meeting. Get our informants to find out where it's going to be held. Now we insist it's a public place - a bar or a restaurant, some place where there's people there so I'll feel safe. They're going to search me when I first meet them, right? So I can't have a weapon on me then. But if Clemenza can figure a way to have a weapon planted there for me, then I'll kill them both.

    Sonny: [Clemenza, Tessio and Sonny laugh] Hey. What are you gonna do? Nice college boy, huh? Didn't want to get mixed up in the family business? Now you want to gun down a police captain, what, 'cause he slapped you in the face a little bit, huh? What do you think, this the Army where you shoot 'em a mile away? No, you gotta get up close like this - badda-bing! - you blow their brains all over your nice Ivy League suit. C'mere.

    [Kisses Michael on the head]

    Sonny: You're taking this very personal. Tom, this is business and this man is taking it very, very personal.

Contact Us

The content source of this page is from Internet, which doesn't represent Dogesflix's opinion. If the content of the page makes you feel confusing, please write us an email, we will handle the problem within 5 workdays after receiving your email. If you find any instances of plagiarism from our website, please send an email to: info-contact@dogesflix.com and provide relevant evidence. A staff member will contact you within 2 working days.

More Articles

Recommend Articles