The Godfather Overall Evaluation

2021-10-13 18:31
"The Godfather" tells a romantic gang epic in a somber and calm style. It is one of the greatest gangster movies in movie history and is known as the man's bible. The film has not only achieved success in reviews, art and box office, but it also set a model for future generations. It is a classic movie praised by all. Its praise rate on authoritative film websites is as high as 100%. The authoritative American film organization, the American Film Institute, named it "the greatest gangster classic film in America.")
"The Godfather" has a profound influence on film history, gangster genre films, and pop culture. It is the best film in film history in the minds of many directors, such as Marlon Brando, Al Pacino, Robert De Niro and other actors. Excellent interpretation, coupled with the epic of the story itself, makes this movie a masterpiece. "The Godfather", as a gang-themed movie, is not a nihilistic downplay of religious meaning. On the contrary, this movie has a deep Christian imprint. It rarely discusses good and evil, and rarely uses subjective lenses to express religious morality, but it is Several nodes, concentratedly showing the inner suffering of the characters, expressing this level of connotation with ease  .
"The Godfather" describes the family grievances in the heyday of the Mafia with fine pen and ink. Although the film pattern of large, complex plot, many characters, but yet the whole film director Coppola handled in an orderly, exciting, demonstrated superb technical skills).
The deep significance of "The Godfather" is that it has opened up a broad prospect for crime films in the history of American cinema. This film not only expands the field of expression of crime films, its ideological significance and connotation also far exceed the category of violence, and sublimate the theme to the deep meaning of the most common power alternation in human society-the relationship between power and evil).
The discussion of religion in "The Godfather" is looming, and the boundaries between good and evil are blurred by elegance, warmth, kindness, and family. The image of the godfather in the film subverts people's traditional cognition of the gangster. The gangster in the film no longer looks domineering, he can be gentle and kind, he can be decent and elegant. The director arranged large-scale assassination scenes in the film and skillfully used cross-montage to show the plot of revenge. When Marlon Brando said in a very calm tone that he would propose a condition that he could not refuse, the violent acts of the underworld were eliminated to the greatest extent, and a huge aesthetic tension was generated from this  .
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Extended Reading
  • Josefa 2022-04-24 07:01:01

    Forgive me for watching this great movie so late because I've been trying to find a time to savor this gangster epic. The legendary IMDB best movie. Marlon Brando was a swinger when he was young, but his acting was truly extraordinary. It's a shame I didn't get to play The Godfather 2. I will finish watching the other two.//20150322 Archives 4K big screen. 3 hours without any procrastination. So cool. Completely appreciate the greatness of the film.

  • Else 2022-03-24 09:01:02

    OK, very man is not my food

The Godfather quotes

  • Don Corleone: [crying, staring at Sonny's body] Look how they massacred my boy!

  • Sonny: Tom-anuch! Hey, a hundred button men on the street twenty-four hours a day. That Turk shows one hair on his ass, he's dead. Believe me.

    Sonny: [to Michael, whose face is bruised] Hey Michael, c'mere. Let me look at you. You look beautiful, just beautiful, you're gorgeous. Hey, listen to this. The Turk, he wants to talk. You imagine the nerve on this son of a bitch, hey? Craps out last night he wants a meetin' today.

    Tom Hagen: What did he say?

    Sonny: What did he say? Badda-beep, badda-bap, badda-boop, badda-beep, he wants us to send Michael to hear the proposition, and the promise is the deal is so good we can't refuse. Hey.

    Tom Hagen: What about Bruno Tattaglia?

    Sonny: That's part of the deal. Bruno cancels out what they did to my father.

    Tom Hagen: Sonny, we ought to hear what they have to say.

    Sonny: No, no, no! No more! Not this time, Consigliere! No more meetin's! No more discussions! No more Sollozzo tricks! You give 'em one message - I want Sollozzo. If not, it's all-out war, we go to the mattresses.

    Tom Hagen: Some of the other families won't sit still for all-out war!

    Sonny: Then they hand me Sollozzo!

    Tom Hagen: Your father would want to hear this. This is business, not personal.

    Sonny: They shot my father? It's business, your ass.

    Tom Hagen: Even the shooting of your father was business, not personal, Sonny!

    Sonny: Well then, business will have to suffer, all right? And listen, do me a favor, Tom. No more advice on how to patch things up, just help me win, please. All right?

    Tom Hagen: I found out about this Captain McClusky who broke Mike's jaw.

    Sonny: What about him?

    Tom Hagen: Now, he's definitely on Sollozzo's payroll and for big money. McClusky has agreed to be the Turk's bodyguard. What you have to understand, Sonny, is that while Sollozzo's being guarded like this he is invulnerable. Now, nobody has ever gunned down a New York police captain. Never. It would be disastrous. All the five families would come after you, Sonny. The Corleone Family would be outcast. Even the old man's political protection would run for cover. So, do me a favor, take this into consideration.

    Sonny: All right, we wait.

    Michael: It can't wait.

    Sonny: Huh?

    Michael: It can't wait. I don't care what Sollozzo says about a deal, he's gonna kill Pop. That's it. That's a key for him. Gotta get Sollozzo.

    Clemenza: Mikey's right.

    Sonny: Let me ask you something, Professor. I mean, what about this McClusky, huh? What do we do with this cop here?

    Michael: They want to have a meeting with me, right? It will be me, McClusky and Sollozzo. Let's set the meeting. Get our informants to find out where it's going to be held. Now we insist it's a public place - a bar or a restaurant, some place where there's people there so I'll feel safe. They're going to search me when I first meet them, right? So I can't have a weapon on me then. But if Clemenza can figure a way to have a weapon planted there for me, then I'll kill them both.

    Sonny: [Clemenza, Tessio and Sonny laugh] Hey. What are you gonna do? Nice college boy, huh? Didn't want to get mixed up in the family business? Now you want to gun down a police captain, what, 'cause he slapped you in the face a little bit, huh? What do you think, this the Army where you shoot 'em a mile away? No, you gotta get up close like this - badda-bing! - you blow their brains all over your nice Ivy League suit. C'mere.

    [Kisses Michael on the head]

    Sonny: You're taking this very personal. Tom, this is business and this man is taking it very, very personal.

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