The Lover evaluation action

2022-01-13 08:02
The film is adapted from the autobiographical novel of French female writer Marguerite Duras. It became a sensation for Hong Kong star Tony Leung Ka Fai and teenage star Jane Margie in their bold sex scenes. The plot of the whole film is not out of the clichés of romantic films. What is worth admiring is the nostalgic and romantic sentiment, the pictures are beautiful, and the erotic scenes between men and women are also filmed with a fiery and provocative feeling. Critics believe that the protagonist is not as good as the supporting role, because the film is slow in pace, emotionally alienated, and lacks exciting clasps. Duras had a negative attitude towards the film after it was released. (   )
The whole film is elegant and quiet, filled with the aristocratic exhaustion. Tony Leung Ka Fai's slender figure, trembling fingers, deep eyes and dry skin have been fixed in the impression, making him a popular audience in the eyes of the East and the West. L'amant. At the same time, Tony Leung Ka Fai's bold passionate drama and naked performance in this film also caused a sensation and a lot of criticism. (   )
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Extended Reading
  • Brent 2022-03-19 09:01:07

    When the ship drove away at the end, the appearance of the black RV was the most touching picture of the entire movie.

  • Hollie 2022-03-20 09:02:26

    Liang Jiahui’s butt is not necessarily worse than that of foreigners

The Lover quotes

  • [first lines]

    Narrator: Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. It's the crossing of a ferry on the Mekong.

  • [last lines]

    Narrator: Years after the war, after the marriages, the children, the divorces, the books, he had come to Paris with his wife. He had phoned her. He was intimidated; his voice trembled, and with the trembling it had found the accent of China again. He knew she'd begun writing books. He had also heard about the younger brother's death. He had been sad for her. And then he had no more to tell her. And then he told her - he had told her that it was as before, that he still loved her, that he would never stop loving her, that he would love her until his death.

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