The Numbers Station evaluation action

2022-03-31 08:01
The Numbers Station is a low-fidelity, high-difficulty thriller. Screenwriter F. Scott Fraser's script is far more interesting than the film itself, a predictable hodgepodge of standard filmmaking by director Kasper Barfoed, with its dimly lit action, And that seriously overworked theme makes the film pretty boring   .
The film is a spy flick with no salient points, revolving around a dull and hazy feel that echoes the claustrophobic cement bunker code station where much of this old story takes place. The film's staged gunfights, bland performances, and use of English countryside landscapes are nothing more than performances in a soulless code station   . The film has a good script, smart actors and an interesting idea. But the film ended up breaking the continuity of the film due to its small budget, unable to connect the dots of the story. Even with some clever touches, it's definitely far-fetched   .
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Extended Reading
  • Alden 2022-04-02 09:01:16

    The male lead is technical, but the film is too ordinary, not as good as 1408 Phantom Fierce Room

  • Scarlett 2022-04-02 09:01:16

    It's quite compact...maybe because of the short time...

The Numbers Station quotes

  • Emerson Kent: Oh shit, your leg.

    Katherine: Oh my God!

    [as he carries her to a table]

    Katherine: I can't even feel anything.

    Emerson Kent: That's usually a bad sign.

    Katherine: You always know what to say to a girl.

  • Max: [Meredith holding a gun on him] You're shaking now. You're getting angry. You're letting your emotions get the better of the situation. The adrenalin, it's really kickin' in. What I know? The reason that I'm not shaking is because this is a choice not dictated by emotion. This is logic - pure, simple. My boy over there is rated fourth in the world in the Glock 30. You now what that means? What's it mean...

    Derne: It means I could shoot you from Texas.

    Max: Now that's of course exaggeration. But the point still stands, he knows what he's doing. He's a professional. And you're... you. You've already dropped the gun, because this is a choice within a very strict set of parameters. Right now you're in control. What you don't want to do is put him in control. Don't give him the choice. That way is death. That way

    [slowly taking the gun from her]

    Max: is the unconditional end of future choice.

    Max: [she whimpering] That's it. Good girl. Oh, I know, I know. It's always a tough lesson to learn. To realize that you don't have the stomach to do what's needed.

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