Wit evaluation action
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Drew 2022-03-20 09:02:42
The film did not exceed 100 minutes, but it felt very slow and slow to watch. The physical and psychological state of the heroine after the illness was so straightforwardly displayed in front of the audience. You can see the pain, fear, and helplessness, played by Emma Thompson. It’s great, a one-man show, but the overall literary and artistic character of the movie is too strong and a little dull.
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Kari 2022-03-17 09:01:08
Describe in depth the anti-humanity and zero dignity in Western medicine treatment, and treat people as machines. 1. The dilemma of cancer treatment: the treatment of high blood pressure also destroys the body; 2. Many therapies only satisfy the purpose of doctors for research. It is not helpful for recovery. 3. Those who study tumors are the smartest group of people. They admire cancer cells and feel that patients do not need to be comforted. Compared with patients, they love cancer cells more because the latter is the winner. With the strong, 4. Obviously it is the late stage, only to reduce the pain, but still reluctant to take anesthetics, clearly gave up first aid measures, the corpse was still tortured, no pity for Western medicine. Western medicine is a complete anti-humanity representative. Poetry VS medicine, humanity VS science, a middle-aged female professor who always has poetry in her mind, she resists everything with her own poetry in the face of illness. She walked through her life again in the hospital bed, talking with her father, enlightenment teacher, her students, and you in front of the camera. Finally, being able to leave while the teacher was reading the stories I liked in childhood is also the best thing to see off.
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Jason Posner: [conducting a medical history check] Are you having sexual relations?
Vivian Bearing: Not at the moment, no.
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E.M. Ashford: Do you think that the punctuation of the last line of this sonnet is merely an insignificant detail? The sonnet begins with a valiant struggle with Death calling on all the forces of intellect and drama to vanquish the enemy. But it is ultimately about overcoming the seemingly insuperable barriers separating life death and eternal life. In the edition you choose, this profoundly simple meaning is sacrificed to hysterical punctuation.
E.M. Ashford: And Death, Capital D, shall be no more, semi-colon. Death, Capital D comma, thou shalt die, exclamation mark!
E.M. Ashford: If you go in for this sort of thing I suggest you take up Shakespeare.
E.M. Ashford: Gardner's edition of the Holy Sonnets returns to the Westmoreland manuscript of 1610, not for sentimental reasons I assure you, but because Helen Gardner is a scholar.
E.M. Ashford: It reads, "And death shall be no more" comma "death, thou shalt die." Nothing but a breath, a comma separates life from life everlasting.
E.M. Ashford: Very simple, really. With the original punctuation restored Death is no longer something to act out on a stage with exclamation marks. It is a comma. A pause.
E.M. Ashford: In this way, the uncompromising way one learns something from the poem, wouldn't you say? Life, death, soul, God, past present. Not insuperable barriers. Not semi-colons. Just a comma.