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Crawford 2022-03-25 09:01:20
A typical Hollywood musical with gorgeous sets, each dance is followed by a superimposition, and a more natural connection between the dance and the plot has not yet been...
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Braeden 2022-03-23 09:03:15
50/100 "An American is having an affair in Paris" Although the values that are no longer time-sensitive can be ignored, the story and characterization of "Flower Dance" is still similar to that of "The King of Drama" a year later Less, let alone compared with the "Comet Beauty" of the same period. Of course, musicals are about soundtracks, choreography, and scene scheduling, but after the beginning and the end, the proportion of literary and drama is actually quite large and quite...
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Aurore 2022-03-21 09:03:14
I really can't appreciate the big dance scene in the last 20 minutes of the whole film...except for Gene Kelly's dance...you don't need to watch the other...
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Eli 2022-03-21 09:03:14
By mobilizing various elements such as songs, dances, paintings, and music, the styles of realism and impressionism are skillfully combined, and the whole film is colorful and integrated. A set of meticulously designed, seventeen-minute ballets are amazing, with magnificent scenes and unpredictable dance moves. Accompanied by the symphonic poems of American composer Gershwin, the protagonist's love for love is well expressed. of longing and...
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Maximillian 2022-03-21 09:03:14
The choreography of the plot is full of self-righteous cleverness, which perfectly matches the temperament of the hero and the "American in Paris" temperament. The fact that the musical is full of flowers does not mean that it has to dance naively out of the narrative situation. The most unbearable thing is, if you are from the visual department, why did you hire such an ugly heroine... From the looks to the lines to the characters, there is not the slightest bit of...
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Briana 2022-03-21 09:03:14
It's a sweet love triangle between a down-and-out artist, a Parisian dame and a little shop's ugly duckling, but the director's way of telling it is charming. When Minnelli became famous, would the director recall his early days as a commercial illustrator? Called by Pauline Kyle as a Hollywood dude, he also has his own author...
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Layne 2022-03-19 09:01:09
Bright colors, exaggerated performances, a legend of an...
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Kenyatta 2022-03-19 09:01:09
The whole film is filled with a romantic atmosphere, which is the characteristic of Paris and the characteristic of musicals of that era... The very long dance before the end is very creative. The big reunion at the end was a little...
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Cassandra 2022-03-19 09:01:09
Isn't it a group? Artistic fanatics in Paris. ....
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Jarvis 2022-03-19 09:01:09
The sound and shadow are graceful and swaying. Appreciation of musicals from the Golden Age may really stop at the art form itself. And Paris, the city of dreams, when can I visit you...
An American in Paris Comments
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Bonita 2022-02-07 14:45:34
Paris in the eyes of Americans
Every movie, especially an excellent movie, is a concentrated expression of the social trend and social atmosphere of that country and that era. Even if the film does not involve history, we can still find some traces of history in it.
"An American in Paris", just like its title, shows Paris in the... -
Nolan 2022-03-16 09:01:08
LOVE IT!
The camera scheduling and choreography are amazing until now. Wonderful Paris and her love are all my imagination of romantic. The vividness of the story lies in the details and the free and contented state of the characters. The singing and dancing are small and small. Exquisite embellishment of...
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Jerry Mulligan: I came to Paris to study and to paint, because Utrillo did, and Lautrec did, and Roualt did. I loved what they created and I thought something would happen to me too. Well, it happened all right. Now, what have I got left? Paris. Maybe that's enough for some, but it isn't for me anymore, because the more beautiful everything is, the more it will hurt without you.
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Milo Roberts: Why do you make such an issue of money?
Jerry Mulligan: Because I ain't got any. And when you ain't got any, it takes on a curious significance.
Director: Vincente Minnelli
Language: English,French,German Release date: November 11, 1951