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Meggie 2022-03-26 09:01:13
The sixth part, except for "Outlaws", still can't do Godard. To be...
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Ivy 2022-03-26 09:01:13
Another author film by Godard. Taking the film industry as the background, it discusses the psychology of human nature, the concept of love in marriage, and once again criticizes the empty middle class in the civilized world. There is a subtle intertextuality with Homer's "Odyssey". Godard x Bardot, the latter is really the goddess of that era. Fritz Lang also made a cameo, but in a generic...
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Linnea 2022-03-26 09:01:13
Suddenly understanding their fascination with Godard, perhaps it is easier for me to capture the thrill of modernity // 1963, the new wave begins to recede, the film faces a transformation, the traditional narrative structure gradually disintegrates under the impact of the new form, the unknown film style becomes an exploration Theme // Godard talks about cinema more fully in this film // "Film can and should transform...
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Jovanny 2022-03-26 09:01:13
I watched it purely because Lang had a corner in it. There are a few very moving shots, but the whole film still makes people...
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Bonnie 2022-03-26 09:01:13
Still too loose. The essence of Godard's films is a kind of "child's play", in which the characters act and announce a certain position with preconceived instructions, but because it is "child's play", he does not carefully consider the effectiveness of the acting (symbolic connection), nor does he care about persuading The integrity of this position for the audience. Therefore, the centrifugal force escaping from the characters themselves towards the sequence of symbols, and the superposition...
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Brain 2022-03-26 09:01:13
Using the shooting of "Odyssey" to compare the actual marriage relationship is still Godard's attempt to anti-film, and I feel that there are many symbols that can be scrutinized. The deepest impression is the big buttocks of the porn stars and the highly saturated strings from beginning to...
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Dominic 2022-03-25 09:01:20
89/100, I like too many points: the opening long shot and the cast and crew narration, the final shot rushing to the viewer, Fritz Lang playing himself, on the wall "Hartley", "As You Want", "Psycho" Poster, stepped building at a depressed angle. Godard's use of color on the color widescreen is too charming, or can be regarded as the forerunner of "Pierro the Madman". This time, there are more big scenes, the panning lens fully creates a sense of space, and the indoor scheduling is more superb....
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Haylie 2022-03-25 09:01:20
89/100, I like too many points: the opening long shot and the cast and crew narration, the final shot rushing to the viewer, Fritz Lang playing himself, on the wall "Hartley", "As You Want", "Psycho" Poster, stepped building at a depressed angle. Godard's use of color on the color widescreen is too charming, or can be regarded as the forerunner of "Pierro the Madman". This time, there are more big scenes, the panning lens fully creates a sense of space, and the indoor scheduling is more superb....
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Catharine 2022-03-24 09:03:35
After reading the novel before watching the movie, I feel that Godard's work has a very good balance between conveying the original work and self-expression. The use of color is very attentive, and the color matching of BB black hair green dress and several scenes on the rooftop is amazing. Frieze Lang is like a sage in the film industry, and Godard's interpretation of the "Odyssey of the Ancients" (rather than the modern neurotic Odyssey), which the original is more agreeable to, reverses the...
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Ned 2022-03-24 09:03:35
After reading the novel before watching the movie, I feel that Godard's work has a very good balance between conveying the original work and self-expression. The use of color is very attentive, and the color matching of BB black hair green dress and several scenes on the rooftop is amazing. Frieze Lang is like a sage in the film industry, and Godard's interpretation of the "Odyssey of the Ancients" (rather than the modern neurotic Odyssey), which the original is more agreeable to, reverses the...
Contempt Comments
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Janae 2022-03-24 09:03:35
study notes
Looking at contempt. With a lot of question marks about the genre of film style?
Godard's film has the alienating effect of Brecht, which makes the audience realize that this is just a film, and Truffaut, who is most compared with him, is painstakingly managing his own influence world. Form and... -
Rasheed 2022-03-23 09:03:15
The developer of the myth of power
It is easy for people to look down on others, no matter whether they hide it or speak out, people cover many steps in their hearts, and let themselves stand on the top and look down at each other. To be honest, this look is quite enjoyable. In fact, most of the time, most people just look down....
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[after viewing film shot by Fritz Lang]
Jerry Prokosch: You've cheated me, Fritz. That's not what is in that script.
Fritz Lang: It is!
[he pulls the script away from Jerry, who is attempting to grab it out of his hand]
Fritz Lang: Oh, no!
Jerry Prokosch: Get the script, Francesca.
[he reads the script and then changes his tone]
Jerry Prokosch: Yes, it's in the script. But it's not what you have on that screen.
Fritz Lang: Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.
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Paul Javal: I'll tell you the story of Ramakrishna and his disciple. Ramakrishna was a Hindu wise man. And he had a disciple who had absolutely no faith in his teachings. So the disciple went off all by himself. Fifteen years later, he came back and said, "I have found the Way!" He told Ramakrishna, "Come, and I will show you." Then he took Ramakrishna to a river. And the disciple went back and forth across the river, walking on water. "See?" he told Ramakrishna. "I can cross the river without getting wet! I have found the Way!" Then Ramakrishna said to him, "You're a complete ass. With one rupee and a boat, I've been doing the same thing for years!"
Director: Jean-Luc Godard
Language: French,English,German,Italian Release date: December 18, 1964