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Fabiola 2022-03-20 09:02:54
#新看#SIFF@Studio; when contempt emerges, we fall apart; Odyssey and the characters are mirror images and intertextual references, which not only explains the origin of contempt in marriage in a universal sense, but also greatly expands time and space Architecture, this is the reason why the master can also show style when shooting popular themes; indoor long mirror follow-up shooting, panning, large red and blue color blocks, and abrupt soundtrack. Camille is the embodiment of a natural order...
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Shannon 2022-03-20 09:02:54
There is no shortage of experimentation in business. 1. The myth, the three-fold intertext between the main line and the director's life, the new interpretation of [Odyssey] and the ambiguous interpretation of the change of husband and wife. 2. Separation technique: the opening long lens - the camera is aimed at the audience, the red, white and blue filters are matched with Bardot's naked body. 3. Dinesh's solemn and sympathetic strings are alienated from the plot. 4. The three primary colors...
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Palma 2022-03-20 09:02:54
Aristotle said that "pleasure" is a movement, the sudden feeling of the soul entering its true state. I see Godard always feeling that way. Every obsessive director always has a movie obsessive work, and this one is probably the one with the lump~ I finally felt the influence of Kenji Mizoguchi and the influence of Wong Kar-wai by the lump. I especially love string theme music, because I can't think of a bigger theme than the sudden contempt between...
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Jettie 2022-03-20 09:02:54
The 50th anniversary restored version I saw in the theater, the color is really beautiful, especially the blue, white and red in the apartment. It's a very popular work by Godard, the dialogue between lovers is very exciting, and there is also Brigitte Bardot's ass, tsk...
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Emery 2022-03-20 09:02:54
I didn't expect that I would see Godard's aesthetic fatigue so fast. The middle is exactly the same as exhaustion, and it is very similar to Antonioni's apartment. A large part of the dialogue scene, except for the color dressing shots, the content and atmosphere are realistic Without dynamics, the repeated use of the orchestral music is also incapable of creating a heavy meaning. At the beginning, the camera is aimed at the audience, and at the end, it is towards the...
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Earnest 2022-03-19 09:01:09
The foreign language ability of these few people is only comparable to "Lanxin Grand Theater". If you want to watch this film, you must watch the film first and then the original book, otherwise you won't be able to watch the film; it doesn't matter, just watch the original book. The amount of information and level is far inferior to the original, and the amount of information in the film is smaller than that of the text, which is not to blame Godard. But everyone is acting and there is no...
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Rosella 2022-03-19 09:01:09
New wave is really not my thing, the highlight is Fritz Lang's cameo as himself in the film, one master acting in another master, full of...
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Sarina 2022-03-19 09:01:09
Master Lang's masterpiece, with English subtitles, you can understand some French. Ending with Ulysses seeing Ithaca again is actually an inversion of the structure of The Odyssey. Love rebuilds first and homecoming comes later. Although rebuilding fails, it is still possible to go home. Losing the reality that Homer is based on, and may suddenly lose the feeling or ability to love, how (why) should we write, love and shoot? The beauty and "contempt" of...
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Demetrius 2022-03-18 09:01:08
In the film, Camille scorns Paul and Godard scorns men. Godard also flouted the rules of the Hollywood game - holding the sexy card of Brigitte Bardot, Godard let only the lines and no points. Goddard defied the classics. With the repeated appearance of the gun, it is easy for the audience to think that Paul will use it to kill Camille or commit suicide, but Godard let Camille unload the bullet from the gun, and Paul is completely misfired-is this another...
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Kailey 2022-03-18 09:01:08
The original work feels like a stage play, whether it’s a limited set of scenes or a limited number of characters, so if you want me, it might be adapted into something similar to Sleuth (of course it’s the original work). It is a stage play); but if the commercial direction is considered like the producer in the original work, it may be more appropriate to change it into a play-in-play format. To take a closer example, in the type of "Assassination of the Novelist", Of course, this direction...
Contempt Comments
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Uriel 2022-02-24 08:02:09
Watch Godard's Nine: Contempt
"Contempt" aroused my strong interest before watching it probably because the great director Franz Lang made a cameo role as a director in the film. You know, one master directs another master to act, which is always full of gimmicks.
In Godard's 1978 speech at the Montreal Academy of Cinematic... -
Lura 2022-03-17 09:01:09
Suspicion and Contempt - One Way Marriages Disintegrate
Recently, the "French New Wave Double Hero Film Retrospective" was held at Shenzhen Broadway Film Center, and I was fortunate to see two of them: "Exhausted" (1960) and "Contempt" (1963).
I have seen these two films more than ten years ago, and this time I rewatched them on the big screen. First, I...
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[after viewing film shot by Fritz Lang]
Jerry Prokosch: You've cheated me, Fritz. That's not what is in that script.
Fritz Lang: It is!
[he pulls the script away from Jerry, who is attempting to grab it out of his hand]
Fritz Lang: Oh, no!
Jerry Prokosch: Get the script, Francesca.
[he reads the script and then changes his tone]
Jerry Prokosch: Yes, it's in the script. But it's not what you have on that screen.
Fritz Lang: Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.
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Paul Javal: I'll tell you the story of Ramakrishna and his disciple. Ramakrishna was a Hindu wise man. And he had a disciple who had absolutely no faith in his teachings. So the disciple went off all by himself. Fifteen years later, he came back and said, "I have found the Way!" He told Ramakrishna, "Come, and I will show you." Then he took Ramakrishna to a river. And the disciple went back and forth across the river, walking on water. "See?" he told Ramakrishna. "I can cross the river without getting wet! I have found the Way!" Then Ramakrishna said to him, "You're a complete ass. With one rupee and a boat, I've been doing the same thing for years!"
Director: Jean-Luc Godard
Language: French,English,German,Italian Release date: December 18, 1964