Contempt Comments

  • Lesly 2022-03-16 09:01:08

    Godard's film is a demonstration—a demonstration at once: a proof, but also a challenging denial: a demonstration; anti-pornography and objectification, anti-Hollywood business, he never Metaphor and allegory writing achieve this purpose, the lines are directly a kind of declaration and revelation, and the image is also the idea, just as it thinks that the text as a form of thought is not indistinguishable from the film. It is not the reflexivity of the camera and the reference to myth, but...

  • Isai 2022-03-15 09:01:10

    Brigitte Bardot's body, unsubtitled English dialogue in the middle, beginning and...

  • Angel 2022-03-14 14:12:30

    At the end of [Contempt], the camera guides us to meet Odysseus's gaze, thus showing us what a modern-day homeland looks like: in the middle of the ocean, the legendary island of Ithaki is no longer there. The topic of God and man superimposed on the marriage issue in the film is obviously referring to the film itself. Now that the director has been overthrown as a god, can people fearlessly claim that God's absence can help us? Here Gouda shows a struggle, oscillating back and forth between...

  • Delpha 2022-02-24 08:02:09

    ①At the beginning, the camera is aimed at the audience, and at the end, it is turned to the sea, which skillfully blurs the boundary between reality and film, and enters the world that Bazin said is "closer to our desires". ②The handling of language differences is outstanding, and wrong translation and understanding create a different atmosphere. ③The camera is alive (blue, yellow, and red filters, the perspective under the sunglasses), but the story is dead, and the orchestral music inserted...

  • Lionel 2022-02-24 08:02:09

    8.1/Film Festival, Godard is still very funny, as shown in Figure 2-5. Godard's film is still about love in the final analysis, and the adjustment of the two actresses' clothes colors changes with the direction of love in the film, as shown in Figure 6-9. The love tragedy of two men and one woman based on money may be despised, but the society at that time was probably like that. Long shot scheduling is great. (See Weibo http://weibo.com/1856087511/DewdVmcKG for the...

  • Alysa 2022-02-24 08:02:09

    8/10. Vertical portrait photography (cliff steps/roof sunbathing) creates classical realism, the relief of the apartment space/the hero and heroine form a symmetrical composition intriguing; Lang and Homer are juxtaposed/uncompromising artist, the secretary arches his back as a desk to write a check, like throwing a discus The producer/money weapon who lost the sample box, the screenwriter took the gun/knowledge weapon from the bookcase to persuade his girlfriend to leave but was unable to use...

  • Dylan 2022-02-24 08:02:09

    Godard is another masterpiece, borrowing the shell of the film to tell the contradiction between a man and a woman, using the way of objectifying women to satirize objectified women, playing with business routines and still doing his own wayward art behind the scenes. The most enjoyable thing to watch is the closed environment of the second act. To a certain extent, it can be said that it is the strongest and most complex play in the play, and the iconic color of the pimple is still...

  • Arch 2022-02-24 08:02:09

    "Every morning, for bread, I have to go to the market, a place peddling lies. Hopeful, in line with other hawkers. What is this? Hollywood." Fritz Lang's line is second only to or belongs to His "Wide screen is only suitable for snakes and funerals" ranked second on the Golden Sentence List. To be honest, Lang's evil aura was too powerful. Although the blindfold is removed, the prestige is not diminished. In front of the original one-eyed, Wayne Li Marwen has to bow down. The Hollywood tycoon...

  • Rosalee 2022-02-24 08:02:09

    Godard's only film with a full script written ahead of time, a new interpretation of the Odyssey couple's life. The opening is still red, yellow and blue, and the 2016 Cannes poster is from the end of the film. The beauty and nudity of the heroine forced by the American investor is a major attraction. Alain Begara said that Brigitte Bardot did not want to appear naked in Godard's film at that time, so she found a substitute, but the American investor did not find it. (Godard Film...

  • Ruthie 2022-02-24 08:02:09

    The triple intertextuality of myth, script, and reality is brilliantly handled, self-referral begins with the director's voice on camera, and translation and co-production are ironic. The deep strings allow the fragmented mythological narrative to connect and prevent my antonioniphobia from developing. The only downside is that it takes the scriptures too seriously, and the intertext that persists to the end loses the sense of novelty, and I don't like this kind of...

Extended Reading
  • Jeremie 2022-03-16 09:01:08

    Image and Reality: Behind the Scenes of Defiance

    The video footage is not complete, it is all from imdb, only select a few important ones to make notes. 1. Producer Levine insisted Brigitte Bardot be naked at the beginning of the film because it was the only way he could sell the film he hated. 2. Godard has always been curious about making...

  • Belle 2022-03-22 09:02:49

    Both narrative and deconstruction

    I wrote it before, it's a little messy, and I don't want to change it. That's it.

    ———————————————————————— Essentially, this movie is not just a movie about Camille, her husband Paul, the American producer, Frie The story between Z. Lang and others is also a story about "how Godard and his team made...

Contempt quotes

  • [after viewing film shot by Fritz Lang]

    Jerry Prokosch: You've cheated me, Fritz. That's not what is in that script.

    Fritz Lang: It is!

    [he pulls the script away from Jerry, who is attempting to grab it out of his hand]

    Fritz Lang: Oh, no!

    Jerry Prokosch: Get the script, Francesca.

    [he reads the script and then changes his tone]

    Jerry Prokosch: Yes, it's in the script. But it's not what you have on that screen.

    Fritz Lang: Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.

  • Paul Javal: I'll tell you the story of Ramakrishna and his disciple. Ramakrishna was a Hindu wise man. And he had a disciple who had absolutely no faith in his teachings. So the disciple went off all by himself. Fifteen years later, he came back and said, "I have found the Way!" He told Ramakrishna, "Come, and I will show you." Then he took Ramakrishna to a river. And the disciple went back and forth across the river, walking on water. "See?" he told Ramakrishna. "I can cross the river without getting wet! I have found the Way!" Then Ramakrishna said to him, "You're a complete ass. With one rupee and a boat, I've been doing the same thing for years!"

Contempt

Director: Jean-Luc Godard

Language: French,English,German,Italian Release date: December 18, 1964