Ten Comments

  • Breana 2022-04-24 07:01:23

    No matter how you say she is a female taxi driver, this is obviously a divorced and remarried woman with a private car, but she kindly lets an old woman who is praying everywhere, a broken-hearted girl, a ride. In addition, she thought that the prostitute wanted to take a ride and let her up~ The prostitute said that she was a retailer, and a married woman was a wholesaler, which is not surprising. I am surprised that there are prostitutes in Iran and they are quite thoughtful~ The other two...

  • Arden 2022-04-24 07:01:23

    Family, affection, faith, life and death, sex, male power, female power, and the ineffectiveness of conversation, Abbas uses simple images to discuss and show the life of ordinary...

  • Korbin 2022-04-24 07:01:23

    1. Always busy to get somewhere before what time 2. Always try to be convenient for yourself and block the way of others 3. Always talk about other people's teachings, but don't do it yourself 4. Prayer is forcing God 5. I I love you, do you believe it 6. Being able to cook, being beautiful, being able to accompany others, etc., is the standard code for a good person. 7. I am unhappy, and I always want to change my mood by changing the outside world and changing my appearance. 8. Even if the...

  • Krystina 2022-04-24 07:01:23

    Abbas is good at creating a kind of reality between recording and construction, and its surface texture reveals various current conditions of Iranian society, zoomed in the dialogue of the characters. But, arguing for a while, crying for a while, the noisy dialogue is really...

  • Danny 2022-04-24 07:01:23

    The viewing state is too bad, I will have a chance to watch it later. After reading it, I don't really accept this kind of maximization of narrative and camera settings. Abandoning the narrative development process, extracting the momentary character states, and comparing different periods of time allow the viewer to construct a narrative line by...

  • Hoyt 2022-04-23 07:04:14

    It is a very comprehensive feminist film. Through dialogue, it shows the current situation of women from the perspectives of marriage, mother and child, religion, and career. The best is the situation of mother and child, the anger that swept over everything exposed by the two in the quarrel, the grievances that cannot be understood by the other, the defensive state of being offended, the retaliatory attack and slander, the silence that refuses to communicate, and the competitiveness to restore...

  • Lelia 2022-04-23 07:04:14

    I thought it was pretty good when I saw...

  • Theodore 2022-04-23 07:04:14

    The only shot out of the car was the (only) one who broke free and we were all trapped in the...

  • Elwyn 2022-04-23 07:04:14

    beautiful female...

  • Kenton 2022-04-23 07:04:14

    The taste of cherries tells about men, and the next ten shows the world of women. As a film about women, such a natural shooting method is undoubtedly advanced and successful. A stop-and-go taxi compartment is both closed and independent, but also free and open. What goes in and out is a woman's fragile and sensitive yet isolated and strong emotions. It seems to be subconsciously purposeful and aimlessly groping forward. , that is, the spiritual life world of...

Extended Reading
  • Merle 2022-01-22 08:03:02

    Long stream

    The film is very simple in structure --10 same shots in one car. It contains 10 different conversations of son and mother, old lady praying everyday, and women who just broke up etc. They all portray women's predication in Iran. The film is like a stream flowing quietly and slowly. The audience is...

  • Randy 2022-01-22 08:03:02

    Philosophy brought by Abbas

    The brilliant dialogue between the characters allows the film to fully express its connotation without too much lens language.
    1. Women should be independent or dependent
    "We depended on our parents when we were young, when we grew up, we depend on men, when we grow old, we depend on children, and...

Ten quotes

  • Prostitute: [to a Married woman] You are wholesailers. We are retailers.

Ten

Director: Abbas Kiarostami

Language: Persian Release date: September 18, 2002