Ten Comments

  • Mckenzie 2022-04-22 07:01:49

    #filmarchive# With two cameras in the car, Abbas decided to focus on the boy for the first 16 minutes of the film. By not showing a picture of the mother—we only hear her voice—the audience becomes more and more curious about who she is and what she looks like. The child's performance is astonishingly convincing because he is extremely believable. But we can't forget that woman, we can't get rid of the desire to see her, and every woman can imagine herself as the mother of this wayward young...

  • Ubaldo 2022-04-22 07:01:49

    The prototype of the Panasi homage. Compared with the breakthrough that the director personally went into battle, the pain of the women that Abbas stared at was more distant and lasting. The several conversations with my son were almost all about disputes and insults, and the silent acceptance of all this powerlessness was really...

  • Johnny 2022-04-22 07:01:49

    In Abbas's footage, only the driver's seat and the person in the passenger seat are talking, but he can "see" Iran's sophistication and feminism from...

  • Shanny 2022-04-22 07:01:49

    When the past, present and future are compressed in the same space at the same time, what is a man, he can only be the object in the mouth of a woman; what is a city, it can only be fleeting in the gap of the car...

  • Garnet 2022-04-22 07:01:49

    People stand firm in a quarrel, and when they meet someone in the same situation, they will break down the stance that others have to stick to in a blink of an eye. I still prefer Abbas with a stronger...

  • Shaun 2022-04-21 09:03:19

    Abbas, 2002. The story is philosophical. Of course, in terms of structure or narrative breakthrough, it is not as good as the previous works, but it presents a new life for women. Be a selfish Iranian woman, tolerant, kind, and...

  • Tatum 2022-04-21 09:03:19

    In fact, it is not as good as "Close-Up" or "Where Is My Friend's Home" - the series of experiments in "Life and Flow". There's a shot running out of the car, and it's not necessary. In fact, it could have been made into ten seamless scenes. This countdown is a bit confusing. Want to make it into a...

  • Jaida 2022-04-21 09:03:19

    Movies can be made like...

  • Sylvan 2022-04-21 09:03:19

    I remember a teacher in an English class asking you if you think men are better than women, and I said I think women are better than men. Even if you are a woman, you will still be a patriarchal society in ten thousand years. Ten's scenes are very boring, but I don't feel it is difficult, because the issues discussed in the film are closely related to myself, once, now, and in the future. The problem of dependence will never be answered. Abbas's enlightenment is not in it, in a collection of...

  • Larue 2022-04-21 09:03:19

    Abbas#16 In addition to "Close-Up", my favorite one; Abbas's minimalist female-oriented film, the old man's love for the scene in the car can be seen in this film, and the possibility of a single scene is maximized; It's a very smart choice to start with a conflict in a limited scene, the fullness of the characters is not reduced, and the abrupt end of the ending is meaningful; it almost deserves a...

Extended Reading
  • Randy 2022-01-22 08:03:02

    Philosophy brought by Abbas

    The brilliant dialogue between the characters allows the film to fully express its connotation without too much lens language.
    1. Women should be independent or dependent
    "We depended on our parents when we were young, when we grew up, we depend on men, when we grow old, we depend on children, and...

  • Pearl 2022-01-22 08:03:02

    Seeking common ground while reserving differences actually has a very solid foundation

    1. The conversation that took place in this taxi, the life of the passengers and the life of the female driver can take place in China. We have overemphasized cultural differences and ignored the amazing similarities of life content. Regardless of the living standard, relationship experience,...

Ten quotes

  • Prostitute: [to a Married woman] You are wholesailers. We are retailers.