Ten Comments

Cade 2022-04-21 09:03:19

Abbas made the act of listening the protagonist, and let these seemingly small narrators in life show the various aspects of life, and we only need to listen and generate our own...

Allen 2022-04-21 09:03:19

Still wandering between the record and the story, whether it is "real" or "false", the audience still does not know, I personally feel that in the 10 stories, the old woman who went to pray may be "real", which is an impromptu paragraph. Abbas went farther and farther on the experimental road of falsehood and reality, and of course the road became wider and...

Toby 2022-04-21 09:03:19

Abbas made a movie in another way. The problem is not the form, but the usual routine of Abbas' films. In such a form, a lot of dialogue is inserted, and the content of the dialogue is too straightforward and lacking. A space to feel. In addition to the son's line, people can have space to understand, others may directly express the profound content. Real but...

Caterina 2022-04-21 09:03:19

Life is boring, nine times out of ten. Why not read a paper if it's just to listen to these forced conversations with the...

Kiarra 2022-04-21 09:03:19

Three and a half. This level of formal exploration is not fundamentally different from the pseudo-documentary form that was later abused. The deliberately set relationship between the driver, passengers, and scenes outside the car is just clever. The half-hearted form of exploration is far less extreme and exciting than in "Princess Xilin", which leaves a very real emotion and sense of time after removing the deliberate plot. Only the repetition at the end ("to grandmother's house") has the...

Felipe 2022-04-20 09:02:25

I really don't say where to go when I get on the bus, and I don't give money when I get off the...

Clay 2022-04-20 09:02:25

Abbas Retrospective @ AFA. The most annoying kid in an Abbas film is born. From a rare female perspective, ten dialogues lead to the daily life of Iranian women's love, family, and life, which can also be experienced. The sad beauty in the scene where the gentle woman takes off her hijab brings an inexplicable...

Kristoffer 2022-04-20 09:02:25

The absent man is always present, and is strongly present; the child who is unnaturally mature: I am just a child, I cannot belong to myself, you must go that way; the temptation of ice cream is the mother's poor skills; The sister who guided the way, later burst into tears because of her broken love; was taught by prostitutes to rely too much on her husband, the difference between wholesale and retail, watched her get into another car, and later used her words to educate others: We are...

Keagan 2022-04-20 09:02:25

#DocumentaryPhoto##Abas Film Festival 2021# Three and a half stars, improvisation, candid filming of the whole taxi, rough documentary texture. Finally know the source of inspiration for Jafar Panasi's "Taxi" - all ten clips are "talking" sister alliances (except for the noisy bear boy, who is considered a male for the time being), put down your guard in the taxi Let's meet frankly, among them there are devout believers who have lost their love, and there are also street girls - to be honest,...

Shanie 2022-04-20 09:02:25

From "Life and Flow" and "The Taste of Cherry", most of them follow the perspective of the car, and "10" goes to the extreme, the camera is completely inside the car, and the DV-style picture of the 4:3 ratio format. After the new millennium, Abbas continued to play with form. 2015's "Taxi" completely learned the form of this film, and it will be more interesting to...