Floating Weeds

By Eliza 2022-12-07 06:38:33

cinematic expression

In this film, Ozu has his usual style, and he likes the drama within everyday life. The common plots of death, marriage, love, blood recognition, etc. in the story are typical dramatic events. The difference lies in Ozu's handling. He weakens the role of the dramatic plot in the overall structure and focuses more on the process. Antonioni is also accustomed to the character changes during the shooting process. Different from classic dramas, more progress is shown, which can reflect the...

By Michelle 2022-11-16 02:20:40

Floating Weeds, 1959

In his tribute to Ozu, "Tokyo Painting" (also known as "Searching for Ozu"), Wim Wenders begins with this sentence: "If there is anything sacred in the era we live in , if there are any hidden treasures in the movie, then to me, the works of Yasujiro Ozu undoubtedly belong to this category."
I agree with this, and even think it is indeed what I think and read in my heart. ; But after careful consideration, such an opening is a bit unclear, so that people start to resist. After all, no...

By Duane 2022-10-29 03:10:58

Ozu is still very muscular

1. The 1934 silent film only saw the first few characters appear, and it felt good, it was right for the story. In particular, the head of the Huadan, who did not know who played it, was very windy and Jianghu, and the Xiaojian minibus looked like Ruan Lingyu. In 1959, Fumiko Wakao was very upright and did not have the feeling of such a brutish little beast in the 1930s.

2. If you just look at the story in 1959, you don't understand that Japanese women are still so submissive after...

By Mason 2022-10-17 01:13:36

Comfortable or poor

The second time I watched a movie in the United States, although it was a free school movie, the movie was played by a local who studied French literature. I always pick some more humanistic movies to show.

Floating grass, restless feeling. People outside may be more aware of it. I have been studying outside since college, and I remember watching a lot of movies in high school. At that time, I liked watching Japanese movies very much. I have seen some of the so-called master...

By Ulices 2022-10-15 23:39:46

The bright red after this refresh

The second film by Yasujiro Ozu I watched.

The color of the picture is gorgeous, with a lot of gorgeous red. With the cheerful and lively music, it shows a variety of pain and joy.

The expression of the lens is authentic. It is full of Japanese markets and civilian life. The entrance halls, corridors and stairs of Japanese-style houses have a strong sense of home. The taverns and restaurants where people came and went, and the troupe that staged Japanese Noh in "Floating...

By Jakayla 2023-01-27 09:33:25

The first time I saw Ozu's film, there were scenes of physical conflict and kissing, and that little boy should be the little boy in Good Morning How can you be willing to hit them, head of Ruo Fumiko Haomi??? The head of the troupe can be understood as a family in a sense Qian) But the head of the group, who was awakened by his own son's words, finally reached a reconciliation with himself. Finally, the scene with the geisha played by Kyomachiko on the train to the new place was extremely...

By Salvador 2023-01-16 11:36:39

#新看# Four and a half stars; more modern than the old version, the father image is stronger, Wakao Fumiko's beauty makes the character more sense of presence, Sugimura Haruko can capture any role, and Li Zhizhong plays a good soy sauce; "The sky is blue too sad" In contrast to "Are You Lonely", there is no lack of sadness under the bright and bright; the embellishment of the red (water bottle) and the close-up of the back, the movement in the time-space mirror in the transition is just like the...

By Titus 2022-11-27 20:54:21

The color film is beautiful, and the fixed lens is beautiful. Look at how Ozu handles drama concentration (or dog blood), and also see his conservatism in his bones. The troupe life is a theme that many directors have filmed, and it feels like Ozu has just found a new container for his family drama, bringing the relationship between men and women and father and son in traditional society into a wandering form. His values ​​can be discussed, and his personal style as a filmmaker is really...

By Susanna 2022-10-24 02:16:12

Anomalies of Ozu films. Regardless of conflicts or emotional appeals, foul language, tearing, slapping, and even kissing, for Ozu, they are all too intense. The overall background is typical of sadness but not sadness. If you lose something, you will make up for it. Even if there are many disappointments in life, everyone has a destination. It is not so much helpless and sentimental, it is better to see it as a compromise and equanimity to adapt to...

By Gregory 2022-09-27 17:31:42

The heavy rain that is rare in Ozu's works, the heavy rain of Akira Kurosawa's style, forms a rain curtain outside the door behind the characters. Whereas Ozu's films usually wander on the fringe of classicism-modernism, Drift Grass slid entirely towards classicism, suggesting in its natural state the eruption of conflict, at that moment, or at least at that moment, the film renews itself. The functionality of language was discovered, replacing the confirmation chat in the first half. Most...