Four small questions, get a prize for correct answers!

Asa 2022-04-08 09:01:13

I was pleasantly surprised to see Fellini (a simple girl turned into a boy) and Abbas (a manor-style shooting from a large perspective), just like Lazaro was replaced in the modern society. But this other discourse of "Enlightenment" (getting rid of ignorance and immaturity into modern society) is indistinguishable from the dialectic of Enlightenment, which opposes the capitalized "Enlightenment" and then directly points to the ills of capitalism. The focus of the film is on the flawless and kind face of the protagonist. The first part continues the internal and external dialectics of the previous work, while the latter part tries to complete the social construction through a kind of deprivation and dislocation, but the skill is not enough and it does not touch much. 3.5

Chelsea 2022-04-09 09:01:08

The Abbasian grand vision outlines the Peach Blossom Land that did not know the Wei and Jin Dynasties. The light perception is transparent like an oil painting. The movement of the characters between the vast world alludes to the insignificance of human activities under the changing natural environment. The time and space transition is wonderful, and the great changes in the vicissitudes of life are achieved through the narration of the voice-over story, and it becomes the ingenious finishing touch of the theme fable. Stepping into the torrent of the city, like the innocent and pure angel of Herzog who fell into the mortal world, the class subversion has not wiped out the ferocity of the world, the road to destruction of human beings is bound to follow, although the Sacred Heart is well-intentioned, it will fail. The music that disappeared in the church accompanied the crying scene of the boy is beautiful. He once loved you like this, and he was happy once. The second time on the big screen, upgraded to five stars, and a tear at the end seemed to fall into my heart. Transcending sentient beings with the flesh, strayed into the sinister wind and dust, the gods before the enlightenment of mankind. In the first half, I wandered in the oil painting sense of Emmanuel Olmi's "The Tree of Clogs" and Visconti's "Leopard"; the sound effect is excellent - the call of the sound in the field is like a whisper, the level of the wind is rising, the raindrops The sense of randomness hitting the roof is intoxicating.