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The beauty of violence
Deonte 2022-01-13 08:01:16
Through the processing of upgrading, downgrading, freezing, and scenes, the film can realize the amplification, compression and solidification of real time and space in a shot, and the montage language formed by the combination of the shot and the shot is the narrative of the time and space of the film. The basic way. The fighting scene in the film edits a large number of upgraded shots and the shots recorded at normal speed together. The upgraded shots delay the process of action and give a "dance beauty", while the following normal shots are enhanced. In addition to the tension of the fight, people feel the visual pleasure of being "slumped to the ground".
Extended Reading
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Marcia 2022-03-22 09:02:30
@ Archives. Brother Hao said that "I haven't been a big brother for a long time." The whole hall burst into laughter. Maybe it's true, it's not your era anymore: there will never be a brother who values love and righteousness like Xiaoma, and there will never be Brother Hao used himself as his siblings, there is no policeman wearing round-rimmed glasses like John Woo, and no one will blatantly hang up Andy Warhol's pictures; everyone is helpless, everyone is regretting, just as That song [The Love of the Year].
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Archibald 2022-03-28 09:01:08
In the triangle relationship, there is no abuse and suffering, only giving and receiving. Self-sacrifice and great trust. Feelings are dead
Top cast
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Tse-Kit Sung: She's my girlfriend. She helps take care of Dad. This is my big brother, Ho.
Jackie: Hi.
[She accidentally cuts the roses of a stem without looking]
Tse-Kit Sung: Don't worry, Dad's in good hands.
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Ken: [after Sung Tse Ho beats up several triad members for destroying the lot at United Taxi Co] You bastard!
Ho Tse Sung: Ken, it's my fault. I didn't mean to involve you!
Ken: If you fight back, you're just like them! They beat on people because they're weak! If you hit them back, you'll be back where you started! It's so hard to change paths! Why'd you even bother?