The word classic is like fashion to me, and it's a bit disgusting when it's rotten. But I can't think of any other word to express it other than classic. For example, the movie version of this gantz, I'm going to explode with complaints, but I still finished watching it, because it's a classic. . The classic tofu dregs project. .
The background of gantz is full of suspense in the setting. It is more like a video game than a sifi. Like the island of greed, the battlefield and the real world seem to be connected, which is constantly explained. The boundary of reality is blurred, and the game is life. . The black tights are a bit like an auxiliary prosthesis, very cyberpunk, of course, the plot does not involve too much awareness and existence. As for how gantz reproduces the characters, it doesn't seem to be so important. Don't care too much about teleporting this kind of thing, the point is not here. The avant-garde setting of gantz is just like its violence and blood, and youth comics also need some exciting points to attract the audience's attention, and then they can stuff some things to contrast and pretend.
As for the plot, it's awesome. There are too many accidents arranged like a B-grade movie, which made me feel refreshed when I was brainwashed by the young man at the time. The onion father who is like an overtime worker, the opening scene of slaughtering the old and the young, full of experience points, Xizhang was killed like the manual he had read, and the two protagonists who were cut off and sprayed juice in the middle, the oppression of a thousand-handed Buddha Sense, are some very unusual development. The intensity of this slap on the old-fashioned plot of the Japanese comics literally brought back 10% of the film's poor performance.
My definition of acting skills is that those who can make performances that are out of the ordinary taste of life are awesome, and those who can perform those that are close to life are also considered acting skills, but nowadays devil actors can't even perform those that are close to life. In addition to the white giant tower, I really can't think of any counter-examples. The biggest explosion of this comic lies in the various types of ordinary people. This reminds me of Silent Hill. There are no ancient village spaceships from the Institute of Biological Research, and there are no laser guns and rockets. The familiar living environment and the readily available weapons. Playing a little association violence and terror will take you to a higher level. If Gantz is replaced by some superhero to kill, although it can also set some good and evil of human nature, the sense of substitution will definitely be consumed. It's like Xuan Ye, who seems to be honest, but is actually just a big wave control who has been polished by reality. After obtaining the equipment, he released his male instinct and faintly felt like Xizhang (it is said that Xizhang was resurrected in the comics, Xing Xing Xiang Xi Na), as soon as the ink is drawn, the details appear immediately. Everyone else magnifies some aspect of human nature to the point where it's clearly visible, and a lot of the time the battle becomes an incidental, lifelike theater of life.
So there is no need to approve movies or anything, it's just a copycat on the adaptation line. .
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