transit

Josue 2022-04-16 08:01:01

The masterpiece, the free indirect language in the film, the European refugee theme can cross and intertextualize with the Nazi history of World War II, this film is too scary. A masterpiece, three turns around the tree, no branches to rely on! The masterpiece, the free indirect language in the film, the European refugee theme can cross and intertextualize with the Nazi history of World War II, this movie is too terrifying. A masterpiece, three turns around the tree, no branches to rely on! The masterpiece, the free indirect language in the film, the European refugee theme can cross and intertextualize with the Nazi history of World War II, this movie is too terrifying. A masterpiece, three turns around the tree, no branches to rely on! The masterpiece, the free indirect language in the film, the European refugee theme can cross and intertextualize with the Nazi history of World War II, this movie is too terrifying. A masterpiece, three turns around the tree, no branches to rely on! The masterpiece, the free indirect language in the film, the European refugee theme can cross and intertextualize with the Nazi history of World War II, this movie is too terrifying. The master's work, three times around the tree, there is no branch to lean on!

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Extended Reading
  • Ludwig 2022-04-16 09:01:09

    The war could return at any moment, and the ghosts of the past in the bright sunlight of the modern day have not slipped away. A woman who can't speak is like a silent history, and a woman who forgets the past is like today's amnesia. We empathize today with the legacy of history. Help the kid fix the babbling radio, leaving only the melted chocolate sundae. That red dress, a touch of beauty, a hint of heartbeat, mixed with the fear of fleeing, became a goalkeeper with scars and hit the iceberg of history.

  • Lillian 2022-04-21 09:03:53

    Using space for time, passing scenery and encountering people alternately struggle and escape, which are indispensable in life no matter what age. However, the narration of large sections has a kind of split that forcibly turns between two time and space, which is unsightly. [So far, Franz Rogowski's two Berlin main competitions this year have all been seen, and the role of "On the Aisle" has a similar view. As much as possible, the "senior feeling" of witnessing the changes, coupled with the German that he sounds like muttering to himself, has an interesting "little adult".

Transit quotes

  • Georg: Then he thought, 'This is Marseille.' A port city. Port cities are cities, in which is told. That's what they're there for. And these people have the right to tell and that you listen inside.

  • Georg: The song did not want to get out of his mind. Everything is dreaming. And everything is exchanged. Back in life again. The evening is already sitting on our house