In 1940, Georg, who would be "cleansed" by the fascists, needed to flee to the only safe place left - Marseille. In times of crisis like these, he promised to do a friend a favor by sending two letters to George Weddell, a communist writer living in a nearby hotel, after which he could be arranged to travel to Marseille. When Georg arrived at the hotel room, the writer had committed suicide for fear of persecution from the fall of the city. Georg took the writer's legacy - the final manuscript, two letters that were not delivered - one from the writer's wife and the other a visa guarantee from the Mexican embassy, which allowed him to get a visa Escape to America from Marseille. With these documents, Georg escorted a North African refugee with a leg injury to Marseille. When the train arrived in Marseille, Georg discovered that his companion had died of a festering infection. He evaded the police who were interrogated by layers and brought the news of his companion's death to his companion's family, where he met his youngest son and mute wife who liked to play football. Georg, who has no legal status, was mistaken for author George Weddell when he was processing identification documents at the police station. He realized that this identity would allow him to escape to the Americas smoothly, so he replaced the identity of the writer. Before that, he met a mysterious woman, the woman is Mary, the wife of the dead writer George, who has repeatedly mistaken Georg for her husband. Georg impersonates George's plans to leave France, which is disrupted by this unexpected encounter and an unplanned love affair
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Transit movie plot
2022-04-16 08:01
Extended Reading
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Nikita 2022-04-21 09:03:53
The ingenious creation that integrates the escape story of World War II with the elements of contemporary refugees, and puts it into the contemporary context to repackage and tell the ingenious creation, the Great Cleansing, Marseilles, refugees, identity replacement, and erratic women, even though the story itself is full of all kinds of strange love and blood, but However, the film is full of literary atmosphere, filled with melancholy beauty, and the importance of narration is self-evident. Comparing the history and the present, there are some amazing similarities. The illusion and reality are already indistinguishable. (70)
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Dana 2022-04-20 09:03:00
In the half-new world, I met you/you. In addition to talking about the "half-new" of the German occupation of France in the refugee issue in modern France, the details always converge (plastic syringes in the old iron box, listening to the phonograph-like "Bat" prelude on the trampoline... ) under various parallel dislocations, everything is between transitions and in-betweens (such as the film title transit), people and people, people and things are shadowed: the setting of two layers of time and space, the replacement/acting/even internalization of identity, the other Occasional staggering caused by the superposition of a layer of fiction (the difference between the text and the image of the narration, and even the thick scribbles that overlap each other), until the end, the meeting of the beginning/end (life/soul) - that look back, like we The audience also acts as a follow-up creator, and the eyes are misplaced and twisted for a moment. But only for this moment. The love between men and women before Qingcheng was based on love, and they used the same emotion to illuminate similar corners in different time and space. They all confuse the boundaries of time and space and cannot be distracted. But in other words, it's not emotions that shake the world, it's the world that keeps changing us. Looking back at the inevitable distortion of vision, but not the effort that will eventually dilute the world
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Georg: It was cold. The Mistral. He was tired. Nobody looked at him. That's the terrible thing. Not that she's your dirty face staring at the torn clothes.The terrible thing is that they are you do not see that you are not there.
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Georg: Then he thought, 'This is Marseille.' A port city. Port cities are cities, in which is told. That's what they're there for. And these people have the right to tell and that you listen inside.