In 1940, Georg, who would be "cleansed" by the fascists, needed to flee to the only safe place left - Marseille. In times of crisis like these, he promised to do a friend a favor by sending two letters to George Weddell, a communist writer living in a nearby hotel, after which he could be arranged to travel to Marseille. When Georg arrived at the hotel room, the writer had committed suicide for fear of persecution from the fall of the city. Georg took the writer's legacy - the final manuscript, two letters that were not delivered - one from the writer's wife and the other a visa guarantee from the Mexican embassy, which allowed him to get a visa Escape to America from Marseille. With these documents, Georg escorted a North African refugee with a leg injury to Marseille. When the train arrived in Marseille, Georg discovered that his companion had died of a festering infection. He evaded the police who were interrogated by layers and brought the news of his companion's death to his companion's family, where he met his youngest son and mute wife who liked to play football. Georg, who has no legal status, was mistaken for author George Weddell when he was processing identification documents at the police station. He realized that this identity would allow him to escape to the Americas smoothly, so he replaced the identity of the writer. Before that, he met a mysterious woman, the woman is Mary, the wife of the dead writer George, who has repeatedly mistaken Georg for her husband. Georg impersonates George's plans to leave France, which is disrupted by this unexpected encounter and an unplanned love affair
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Transit movie plot
2022-04-16 08:01
Extended Reading
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Ludwig 2022-04-16 09:01:09
The war could return at any moment, and the ghosts of the past in the bright sunlight of the modern day have not slipped away. A woman who can't speak is like a silent history, and a woman who forgets the past is like today's amnesia. We empathize today with the legacy of history. Help the kid fix the babbling radio, leaving only the melted chocolate sundae. That red dress, a touch of beauty, a hint of heartbeat, mixed with the fear of fleeing, became a goalkeeper with scars and hit the iceberg of history.
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Lillian 2022-04-21 09:03:53
Using space for time, passing scenery and encountering people alternately struggle and escape, which are indispensable in life no matter what age. However, the narration of large sections has a kind of split that forcibly turns between two time and space, which is unsightly. [So far, Franz Rogowski's two Berlin main competitions this year have all been seen, and the role of "On the Aisle" has a similar view. As much as possible, the "senior feeling" of witnessing the changes, coupled with the German that he sounds like muttering to himself, has an interesting "little adult".
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Marie: The Forsaken never forget, you say. But that's not true. They have the beautiful, sad songs. With them is the compassion. Those who leave, there is nobody with them.They do not have songs.
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Georg: A man had died. He was to register in hell. He waited in front of a large door. He waited a day, two. He waited weeks. Months. Then years. Finally a man walked past him. The man waiting addressed him: Perhaps you can help me, I'm supposed to register in hell. The other man looks him up and down, says: But sir, this here is hell.
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Lost identity, dream land that can never be reached
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transit
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The experimental technique of dislocation of space-time background is clever and effective
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Subtitles ruin the whole film
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The theme of European refugees can cross and intertextualize with the Nazi history of World War II. This movie is too scary