1//Don't let your mom use the vibrato in idle, the movies inside are not normal. I knew the old yin and yang from the beginning.
2//Severely Orientalist, demonized Southeast Asia, the screenwriter's vision and brains are still at the beginning of the last century, and the plot is procrastinated and outrageous. Looking at this film, I probably know how they imagined China before.
3//This kind of film really has a story mode. Change the scene to take pictures of the gourd. The Busan trip 1 is also the same-the family is led by the father, the strongest god sets the flag, and then sacrifices for the family. But it's much better than that. This film can be a classic example of an American movie that is busy doing things before taking off the pants. The plot is slow, but the overall rhythm is catching up.
4//This film not only perfectly shows Orientalism, but also shows the weakening of the female image perfectly. All the women in the film are delicate and useless, and their only role is to add chaos.
Only Hadi’s mad max is the only good film in this regard.
5//There are too many bugs and inhumanity, distortion and no details, so it is very, very common and bad. Rubbish, it's too rubbish, it's so rubbish that people can't believe this is a 15-year film.
If the change in the image of the East in American movies is a topic, this is definitely a good example-from Fu Manchu, to Chinese restaurants, to gangs, to threats, to counterattacks in this film. The only constant is that the East are all unkind and inhuman losers.
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