"Destroyer" didn't give the audience a fun, blood boil. There’s also a very distinct Los Angeles locality in the film—it may not appeal to international audiences, but it gives the film a sense of authenticity that takes root. The film also has a visual aesthetic and tone that captivates the audience and keeps them wanting to watch. The structure of the film's non-linear narrative is destined for some jumps in the plot, but with more material, Primer Tucker might have been better at reframing the story when editing. "Destroyer" should use more pre-plot to present Erin and Chris' romance so viewers can get into it. Watching the film feels like looking at a table of puzzles, and if you look sideways, you might discover some great secrets—maybe you can see a picture. But after this noir film appeared, there were only many ups and downs, and the creators felt that these were intense enough, but in fact they lacked the feeling of fun and dripping.
Destroyer evaluation action
2022-03-10 08:02
Extended Reading
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Adelbert 2022-03-10 08:02:04
Nicole's makeup is a breakthrough, the story is average.
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Gregorio 2022-03-23 09:03:27
Too many F words. The rhythm is too bad, and the soundtrack is slow-moving to make trouble, and a mother-daughter line is even stuffed in? Nicole's grief and struggle seemed so pale. The beginning is the end, but I'm afraid it shouldn't be just this structure to stand out.
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Silas: [to Erin] You didn't get away.
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Erin Bell: Don't make excuses for what you want. It's weak.