In this film, Wind Man's use of color is extremely extravagant and bold, and he renders a dilapidated and dirty squatter house like a dream. Originally, the original novel was a realistic work with a strong realism style, but under the design of Wind Man, the film is as publicized as an impressionist painting. Every scene in the film, every actor's clothing, every character's makeup, and every lighting effect can be seen as part of this dynamic painting. Under the overall colorful picture, the ideological depth of the film is by no means inferior to any previous works of Wind Man with realistic themes. The film has created a large number of characters with different identities and personalities. The stories of each household's residents are in a single line, and they are mixed together without appearing to be messy at all
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The film's refreshing and lyrical quality stems from Wind Man's awe at the human ability to extract joy from the fleeting moments while enduring suffering. The film's lack of movement, and most of its serious shortcomings, is due to the fact that the film is filled with endless character dialogue without any transformation
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