The plot of "Synecdoche New York" continues Charlie Kaufman's curious but caring style. The film analyzes a creator's various thoughts about inner desires, the true meaning of life, and life by using the method of play in play. It is quite a tribute to Fellini's "Eight and a half" and Truffau's "Night and Day"
. Although Kaufman stuffed too many things in "Synecdoche New York", it didn't seem complicated. Several actors in the film also gave wonderful performances. Even though the story of the film is strong, it failed to conceal the brilliance of Philip Seymour Hoffman's performance
. The beauty of the film appears at the end. Starting from the 113th minute, the film has entered a self-centered state, and finally it uses actors, dialogue, narration, and editing to repeat the four-tone method, while satisfying the needs of intellectual complexity, the ending is implemented to complete a life cycle. The process
.Comments fromTime.com, China)
Charlie Kaufman contributed a lot of absurd scenes in "Synecdoche New York", and these ideas have also been firmly branded by Kaufman in the movie, but it cannot be avoided that the movie falls irretrievably in the second half. To the chaos. The problem with the film is not the lack of good stories and good ideas, nor the mirroring and editing, but the loss of control
. The relationship between Carden and his daughter in the film is not in harmony with the main theme of the film, but as the advancement of the plot, this secondary line is very important, so the director still arranges it to flourish. However, when Carden saw his daughter's tattoo photos, he said goodbye to Claire. The plot was arranged too hastily. The director is too anxious to let the male lead enter the complex intellectual world, so that when the male lead abandons the daily world, he abandons so mindlessly
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