"Eternal Life" is the subject of many films. The screenwriter needs to expand her imagination, set herself as an immortal person, and then wonder that all the joys, sorrows, sorrows and joys she possessed will finally be lost. This film is no exception. The by-product of "Eternal Life" is "Lost". Although she has a nearly eternal life, no one can live with her all the time. So immortality is also a curse of loneliness. In "Guardian of Immortality", the biggest label of all warriors is loneliness.
The film is a standard "playing film", it is very difficult to create something new or inspire a new taste. The story chooses the "immortality" setting, the angle is not new, but if there is a complete psychological exploration, it can bring better shock. For example, if people can live so old, will people be clearer or more confused? Will it be more benevolent to look at everything, or will it be more cold-hearted, maintaining the inaction philosophy that the world will eventually balance itself, and no longer have feelings for living things? Even, can people still love? Or the heart shrank into a group of ancient folds, no matter how good the meeting was, there would be no ripples at all. Although there is an entrance where you can walk your heart, the film still chooses to walk the kidneys-most of the time, it is the constant stimulation of the adrenaline of the basic nerves of human fighting. The fists are quite fierce, and it seems that the more they will not die, the more tortured by all kinds of pure physical bodies. Even if the audience is not too worried about the death of the protagonist, they will be tortured to a considerable extent. Theron is still stable and ruthless. After the experience of various fighting movies, this supermodel who has become a renunciation has long been comparable to a real star, with a tall stature, thin muscles, and the swiftness and atmosphere from the beginning to the end can hold the audience. But whether it's hitting or being hit, even if the scene is as cool as "Mission: Impossible" or "The Bournemouth", if Theron's role is changed to the leading actor, it will not violate the harmony, and even the emotion and reason will not change.
In "The Guardian of the Immortal", Theron's feminine tone is deleted, like a stone. And when women completely obliterate all of their traits, behave like men, and think like men, this use of "male" becomes another extreme.
