Thriller: A Cruel Picture behind the scenes gags

2022-02-23 08:01
"Thriller-en grym film" was a CULT film that was made in Sweden in 1974 that combines restricted and violent. Director Bo Arne Vibenius is said to have been Fellini's assistant director. The lens style of the whole movie is very different, with a large number of subjective close-ups and slow motions, crocheting out a very distinct cult work.
Christina Lindberg, the actor of the heroine Madeleine, is a Swedish beauty who was born in 1950. She had always been the head of the sex scene before. This film naturally did not waste her attractive figure. Not to mention all three points, and even work hard. Lindberg was already 24 years old when he shot this "Thriller-en grym film", and the age of the role in the film was set as a 15-year-old girl. This Swedish beauty with a devil figure and an angel face is more than capable. Petite body, immature face, clear eyes, smooth long hair. No one would have imagined that this woman was over twenty-four years old.
Unfortunately, the main gimmick of this CULT film still revolves around restricted levels and violence, so it did not bring Lindberg the expected transformation after it was released. Soon thereafter, she officially withdrew from the film and television industry.
The director's approach to the camera is too different, from the color of the screen to the position of the camera, he has an experimental style. For example, the blood flowing from the corner of the mouth of a person who was beaten violently (or sprayed) is shown in slow motion, and you can see the teeth that are shot out of the mouth and fly into the air. The blood was flowing like a pour, but it poured out slowly. The bullet is shot into the human body, and the blood is sprayed out at a certain angle that can be traced under the impetus of inertial force. You can clearly see any moment of struggle and deepen the expression of death.
Some people don't like this movie, thinking that it is nothing more than a restricted film with the help of revenge as the theme of the movie, and the character changes and the transformation of personality strengths are illogical. For a CULT work that was born in the 1970s, later generations could have boldly imagined and guessed its intentions. The movies of that period had no rules to follow, and the so-called cults were both good and evil, and there was no standard. Simply picking up the story of the movie to understand the whole movie is still not objective enough. Film is the seventh art that condenses literature, drama, music, sculpture, painting, and architecture. No one stipulates that the director can only follow one of these elements to make a movie, and vice versa.
The second half of the film is Madeleine's revenge journey. Ironically, the girl subdued and got rid of the police roundup, driving their police car to block other enemies. In other words, every crime is driven by the police. At the beginning of the film, a police car slowly drove into the scene, but in the process of public security patrol in this city, the young Madeleine was sexually assaulted in an open public place, and the murderer was finally exempt from criminal law because of a mental diagnosis. The first victim, Madeleine, played the responsibility of the "law enforcement" in the second half of the movie. She drove a police car on a small road in the suburbs. The lights flashed, which seemed to represent notarization (patrol), but how many in broad daylight? Is sin covered up? It is not only responsibility but also justice.
Madeleine finally caught the man who had abducted her, and she designed him with a dark humorous way of death. He buried the man in the rubble and could not move (the man’s legs had been broken with a pistol before), and then tied a rope around his neck, and tied the other end of the rope to the horse’s saddle. The sun was hot, and Madeleine put a bucket of water more than one meter in front of the horse. As long as the horse was thirsty, she would move forward to drink water, and the rope around the man's neck would tighten, and then suffocated to death.
Madeleine arranged everything in order, and sat in front of the man, waiting for the horse to move. In the sun, she looked blankly at the man who ruined her life. In other words, Madeleine's life was destroyed as early as her childhood sexual assault. She could not speak and lost the ability to express. She evaded her at first, hiding on the farm. However, evil does not appear imperceptibly all the time, and using violence to control violence has become the only means of salvation.
At the end of the movie, Madeleine drove away slowly in the police car.
The blueprint of "Kill Bill Vol.1"! I wonder if Quentin's " Kill Bill Vol.1 " got inspiration from it, or not? It is worth thinking about.
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Extended Reading
  • Toney 2022-02-23 08:01:30

    Real Violent Girl Revenge Case

  • Nina 2022-04-21 09:03:16

    There is nothing to see except the heroine.

Thriller: A Cruel Picture quotes

  • Tony: I like women who don't talk too much... but you set a new record!

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