The opening chapter uses a close-up shot of a woman's hand, wearing an apron, implying a housewife, and the content is the process of making buns. The back is divided into the front and the back, the front is the bun and the back is the bun stuffing, which is used later. Then cover the drawer and turn to the panoramic view. The owner of the hand pushes the window, and the title of the title is released. The interior is warm and the exterior is bright. The rhythm of the music and the beginning is brisk, the title of the title is to reach the climax of the music, and then it turns quiet. The music is relaxing and pleasant.
In the transition, the panoramic shot, the housewife took out the steamed buns, her expression was dull and lifeless. Rear frame, implying that this is a family but the son is not home. The man left after eating the buns, the woman's face was close-up and she sighed. A close-up shot of eating a steamed bun, the steamed bun is crying, the woman's face is close-up, she is surprised and scared, the camera is turned, and the steamed bun is thrown into the drawer at the same time. The woman's close-up facial expression turned from surprise to curiosity, and climbed up the table to watch. The bun has a long body, and the woman expresses emotion. Close up by hands, imitating the subjective perspective of a woman, depth of field shot, focusing on the buns in the hands, close-up. Counterattack, the woman's gratified expression appeared.
Later, it is the history of the growth of the steamed bun. After the fall, the woman looked in horror, fed the stuffing, played cheerful music, and recorded the height and close-up shots. Women buy vegetables, buns participate, and Tai Chi also participates. Life is more harmonious and music is more soothing. Later, when children grow up, they are curious about the world around them. Wearing glasses indicates that they gradually grow up and learn new things, and they are not obedient. Smudged face while kicking ball, woman spotting, kicking away ball, horrified expression, medium shot. On the bus, the light was dim and the tone of the music was raised. The woman opened the dessert, and the steamed buns turned around angrily. The woman looked lonely, picked it up and started eating.
The sign on the back door indicates the second and mature signs, close-up. The woman is standing in front of the door, with a panoramic view and an angry expression. At this time, the woman is in a place where the light is weak, and the full-screen light is divided into bright and dark parts. I think it is a sign that there is a gap between them. Close-up of the eyes when opening the door, turning the camera, simulating the subjective perspective of a woman, Baozi was laughing happily on the phone in the room, and later found that the woman's expression was cold, the door was closed, and the screen was black.
The female protagonist seems to think of ways to attract steamed buns. The close-up of the face is a close-up of the cooking hands. At this time, the light is warm, indicating that the woman is happy. The panoramic shot is a table of meals. But the son was leaving, the woman looked puzzled, the son opened the door and went out. The light is dim, the woman is sitting alone at the table eating, the speed is fast, medium shot, only the TV light? At this time, the son comes back with his girlfriend, close-up of the girlfriend's hand, diamond ring? luggage, woman sitting awkwardly on sofa, medium shot. The son packed his luggage and wanted to leave, but the woman tried her best to stop him, but he couldn't stop him, so the woman ate the buns. A person kneeling on the ground crying, the light gradually dimmed, and the music entered a trough.
The screen is black, the light is weak, there is a woman crying, the woman gets up and sees her husband at the door, there is a shadow standing in front of the door, the husband pushes him in the door, indicating that he enters the atrium to solve the conflict, the woman sees her son coming in, hesitantly thinks for a second, Turned around and lay down, reflecting the tantrum of the bus ride home in front of him. The son turns on the bed light, turns on the dessert that his mother bought when he was a child, and strokes his mother's back. The mother sits up and takes it. In the middle shot, the two of them smile, implying that the conflict has been resolved. The latter family was very happy, the buns were made, the son did not make the buns well, and the daughter-in-law shocked them both when they made the buns, wide-eyed, panorama, pulled out, the music was cheerful, and it ended.
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