Diabolique movie plot
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Zane 2022-01-03 08:01:18
Cruzot’s thriller with a Wilder-style play is obviously a story of water, but it looks dry most of the time! The water surface lens may not be able to reconcile the proportion of the indoor (land) scene. The question is: which one Water? Poisons, injections, red wine, droppers, sinks, bathtubs, swimming pools-but not rain and fog, lakes, river banks. Their shape and fluidity are important matters (in this sense, the film is truly "water-shaped" "The Story"): All the liquids in the film are not natural objects from the beginning, but only the "dead water" always requires the container to be wrapped in the tablecloth and not leak, and fill the pond to be emptied. So the core motivation of the whole film is nothing more than: will be correct The liquid is put into the right container in precise amount, and the right item is kept in the right liquid at the right time; the demons cannot control the drowning process outside the laboratory, and can only design a snorkeling from one bathroom to another along the pipeline. ――So it can be said that Cruzot turned his back to the Seine and tamed fluidity, creating a quantitative method for new thrillers with chemical precision.
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Wilbert 2022-03-27 09:01:09
It turns out that Hitchcock also learned from others. The suspenseful effects and audiovisual language are really good, but this ending got me. . While shocked, I couldn't believe it at the same time, because the mistress was such a strong woman, how could she do such a thing for a straight man with cancer? It’s totally unreasonable (although I actually guessed it in the middle, but I can’t believe it’s true (sorry for spoilers)
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M.Drain, professeur: I may be reactionary, but this is absolutely astounding - the legal wife consoling the mistress! No, no, and no!
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Christina Delassalle: Don't you believe in Hell?
Nicole Horner: Not since I was seven.
Christina Delassalle: I do.