In "Sophie Scholl", the heroine Sophie's yearning for freedom and her courageous spirit of life and death is reflected in the heroine's own narrative. Self-narration of heroic deeds is a way that ordinary directors try to avoid. And strong feminism and a desire for freedom are easy to tire of and dismiss as clichés. However, the film managed to rise successfully amid two major unfavorable factors
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"Sophie Scholl" subtly borrows Sophie's roommates in prison, enriching the characters from two aspects of love and family, making up for the "inflexible and rigid" illusion in the heroine's character
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"Sophie Scholl" adopts a realistic creative method, presenting history objectively with a plain and calm narrative attitude. The film shuns the dramatic structure to please the audience. Following the natural flow of events at many points that could have been "played", the film has always adhered to the rigor of record. In the processing of a series of heavy scenes, the director has subverted the Hollywood-style viewing experience, and restored the film with a sense of reality and history. The director made use of the conflict between the coldness of the camera never intervening and the audience's expectation of saving the protagonist, successfully creating a cruel atmosphere, arousing the audience's genuine concern for the protagonist's fate, and naturally leading the focus of viewing to the protagonist's fate. her spiritual world. Technically speaking, the film is biased towards an objective narrative tone, always trying to keep the audience at a distance from the world of the film. This makes the protagonist appear more and more lonely, and her extraordinary struggle shocks the hearts of the audience to the greatest extent. The film focuses on revealing the state terror that individuals face in the face of most tyranny, and the dual performance of insisting on faith: the heroine represents conscience, and the Nazis represent blindness
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