Floating Weeds Comments

  • Reynold 2023-02-20 15:48:00

    The original destination was the "failed father", met her again at the station, and then boarded a new journey together, which turned to "people's selfishness" and "people's reconciliation" (like floating grass). Ozu is the most respectable and calm writer in the world of cinema. In order to get this "decent", he resolutely sacrificed the drama and natural performance that the usual movie strives for, and in this regard, he is almost sacrificing. He was shooting his own utopia. In his...

  • Briana 2023-02-16 21:45:06

    Ozu rises up the wordless monument, a monument is shot to...

  • Jakayla 2023-01-27 09:33:25

    The first time I saw Ozu's film, there were scenes of physical conflict and kissing, and that little boy should be the little boy in Good Morning How can you be willing to hit them, head of Ruo Fumiko Haomi??? The head of the troupe can be understood as a family in a sense Qian) But the head of the group, who was awakened by his own son's words, finally reached a reconciliation with himself. Finally, the scene with the geisha played by Kyomachiko on the train to the new place was extremely...

  • Salvador 2023-01-16 11:36:39

    #新看# Four and a half stars; more modern than the old version, the father image is stronger, Wakao Fumiko's beauty makes the character more sense of presence, Sugimura Haruko can capture any role, and Li Zhizhong plays a good soy sauce; "The sky is blue too sad" In contrast to "Are You Lonely", there is no lack of sadness under the bright and bright; the embellishment of the red (water bottle) and the close-up of the back, the movement in the time-space mirror in the transition is just like the...

  • Titus 2022-11-27 20:54:21

    The color film is beautiful, and the fixed lens is beautiful. Look at how Ozu handles drama concentration (or dog blood), and also see his conservatism in his bones. The troupe life is a theme that many directors have filmed, and it feels like Ozu has just found a new container for his family drama, bringing the relationship between men and women and father and son in traditional society into a wandering form. His values ​​can be discussed, and his personal style as a filmmaker is really...

  • Susanna 2022-10-24 02:16:12

    Anomalies of Ozu films. Regardless of conflicts or emotional appeals, foul language, tearing, slapping, and even kissing, for Ozu, they are all too intense. The overall background is typical of sadness but not sadness. If you lose something, you will make up for it. Even if there are many disappointments in life, everyone has a destination. It is not so much helpless and sentimental, it is better to see it as a compromise and equanimity to adapt to...

  • Gregory 2022-09-27 17:31:42

    The heavy rain that is rare in Ozu's works, the heavy rain of Akira Kurosawa's style, forms a rain curtain outside the door behind the characters. Whereas Ozu's films usually wander on the fringe of classicism-modernism, Drift Grass slid entirely towards classicism, suggesting in its natural state the eruption of conflict, at that moment, or at least at that moment, the film renews itself. The functionality of language was discovered, replacing the confirmation chat in the first half. Most...

  • Candelario 2022-09-16 02:58:34

    Rarely violent and erotic, full of dramatic conflict, the dialogue scenes are hot and calm. The blue sky, the rainstorm, the cicadas chirping, the train whistle, the wind by the window tugging at the hair, these are actually summer. The troupe's contempt for the actors is not necessarily out of his own, the troupe is also like a family, and in the end it is still...

  • Evangeline 2022-09-14 15:34:22

    One of six color films of Yasujiro Ozu's late period. 1. First contact with Ozu, and summarize the characteristics of the form: 3 feet from the ground with a slightly upward tatami view, fixed camera position, limited acting skills, hard cuts for editing, no close-up; 2. The soundtrack and composition are extremely beautiful, and the colors are bright and beautiful; 3. Delicate and real emotional descriptions, tears running; 4. Favorite details: quarrels in the rain, the faint ding dong music...

  • Donavon 2022-08-21 03:51:17

    Kawaguchi Hirono Tian ひ と み sea carp flag flower.. This version is too gorgeous to see Wenzi, but I still prefer the hiba in the silent...

Extended Reading
  • Roslyn 2022-10-06 06:48:39

    Talking about Ozu

    Theme
    In most of Ozu's films, the theme is always "separation". Whether it's marrying a daughter, getting sick, dying, every film tells a story that begins "together" and ends up "separated" in the broadest sense. The value that nothing can escape separation also makes every reunion or ordinary...

  • Laurence 2022-10-04 02:46:15

    Our soul is love, even after repeated partings

    The day before yesterday, I dreamed that I was passing by an island in a boat. The boat ran aground in the crowd of festival parade. I woke up and thought: What a beginning of floating grass! So read it again.

    Ozu is good at expressing symbolic meanings in the language of the camera lens, such as...

Floating Weeds quotes

  • Kayo: I'm not such a good girl.

  • Oyoshi: What became of the manager? It's terrible.

    Komajuro Arashi: We mustn't avail us too much of the impresario's kindness. It's awful.

    Oyoshi: Indeed.

    Komajuro Arashi: It's good when it's good. But when we get stranded, a terrible profession.