Mayis Sikintisi evaluation action

2022-01-22 08:02
"Clouds of Ma" uses highlights and saturated tones to create a pure and bright atmosphere. The rhythm of the human heart is also invisibly slowed down in these big perspectives, and life is dozing lazily in those still long shots. The characters in the film have a motive or desire. The alienation and even strangeness of the characters in the film is the accurate description of the essence of life in the film. The film did not intensify the drama conflict in order to increase the point of view, nor did it artificially raise the level of motivation of the characters in order to reflect the depth of thought, nor did it forcefully end with a reunion in order to soothe the audience. Even the few plot clues of the film did not have a clear result, but ended with the father leaning on the tree to sleep soundly, leaving an open space for imagination, allowing the complexities of life to be opened to the audience.
In fact, several characters in the film represent children, young people, middle-aged people, and old people respectively. They become metaphors for people's life in a way of intertextuality. The film seems to be full of meaningless details and empty shots. It seems that the fascination with nature is better than the attention to people. The capture of trivial movements of the characters is better than the analysis of the characters' hearts, and the restoration of the true nature of life is better than the life. The poetic imagination basically achieves a peaceful mind to pay attention to the customs of the hometown, but with a forgiving look at the figure of ordinary people struggling for large or small goals. The film presents the scenery of May in the hometown as poetic and picturesque, so that both happiness and sadness are staged in a forbearing and restrained manner, and even the many unsatisfactory things in life are turned into gentle touches under the blowing of warm wind.
Of course, when the film feels good about itself in the prose style and poetic sentiment, when the many modalities of life are presented quietly, it may also make the audience weaken the intensity of rational thinking in the slow rhythm and stagnant life flow. Moreover, due to the accumulation of life-like images, the audience has only a hollow and vague impression of the characters. For example, Mudhafi is more like a symbolic character. The audience's evaluation of him is extremely ambiguous and dilemma. They don't know whether to recognize his dedication to art or be disappointed in his chaotic and disorderly life plan. As for Mudhafi's assistants, they appeared abruptly, and his charity to Ali was completely unprepared. These problems can only be explained by the pros and cons of choosing the poetic style of the film. 
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Extended Reading
  • Lee 2022-04-22 07:01:49

    The little boy line is the best. I watched it five times before I finished watching it. At the beginning, I thought it was the worst film in Ceylon, with three stars at most. After watching half of it, I thought it was a four-star film. After the transformation of the little boy was completed, it was worth five stars. A simple child was turned into an adult like that.

  • Isidro 2022-04-21 09:03:18

    Three and a half. Very simply, it presents a situation for observation, and the sound effects are very prominent in such a film. The sound of the wind blowing through the leaves, the sound of birds, etc., all play a role, replacing the dialogue. Just like in kindergarten, we observe children's every move. Although it is not so meaningful, it makes you watch it. This movie is also how the director makes a movie as observed between heaven and earth. It does not rely on forced settings. It depends on the sense of breathing, which is extraordinary.

Mayis Sikintisi quotes

  • Muzzafer's father: Do they shoot the movies with these, Muzaffer?

    Muzaffer, the movie-maker: No dad, we use these for test shots.

  • Muzzafer's father: Hey, are you shooting a movie? Do you use these small cams to shoot movies?

    Muzaffer, the movie-maker: No dad, with larger ones.

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