The film tells a teenage coming-of-age story that touches on the issue of abortion in a neorealist style. The film delicately depicts the character of the 17-year-old heroine Orton. The director keenly captures Orton's habitual repression and overwhelm. Under the catalysis of the minimal but natural dialogue, the film gives people a profound feeling. Although it touches on unmarried pregnancy and abortion, the film mainly tells the story of a teenager's growing up encountering difficulties. It uses extremely politically controversial issues as a foil, and focuses on depicting the emotional changes in his heart when he was killed in the process of growing up, evoking the memory of the audience. Private and profound emotional reactions
.
The title of the film, which uses four adverbs of degree juxtaposed, is difficult to remember for a while, but it is straightforward and powerful. The film is sad but not sad in emotional expression, and flowers of hope can also bloom in despair. Compared with a single chaos, struggle, disappointment and desolation, this is more in line with the essence of youth - breaking free in the swamp of the dark night, occasionally He looked up and saw the warm morning light. In the processing of mirror language, there is not too much carving and decoration, and some places are even "inattentive", which creates a sense of authenticity of a semi-documentary, and is more in line with the naturalness and roughness of youth-themed films
.
